Alice in the Cities Literary Elements

Alice in the Cities Literary Elements

Director

Wim Wenders

Leading Actors/Actresses

Rüdiger Vogler and Yella Rottländer

Supporting Actors/Actresses

Lisa Kreuzer, Edda Köchl, and Ernest Boehm

Genre

Road Movie

Language

German, English, and Dutch

Awards

Nominated for Best Feature at the Chicago International Film Festival

Date of Release

May 17th, 1974

Producer

Peter Genée and Joachim von Mengershausen

Setting and Context

The United States and West Germany

Narrator and Point of View

Told from a third-person point of view

Tone and Mood

Fun, Solemn, Chaotic, Distressing, Calm, Angry, and Violent

Protagonist and Antagonist

Philip Winter (Protagonist) vs. Winter's struggle to get home (antagonist)

Major Conflict

Winter's struggle to get home to West Germany from the United States - all while bringing along Lisa and her daughter, Alice

Climax

When Philip turns Alice into the police

Foreshadowing

Philip eventually handing Alice over to the Police is foreshadowed early on in the film

Understatement

Philip Winter's empathy and kindness is understated in much of the film

Innovations in Filming or Lighting or Camera Techniques

N/A

Allusions

Wenders' previous films, Popular Culture, History, Geography, the films of John Cassavetes and Alfred Hitchcock, Music, and Wenders' experiences.

Paradox

Philip hardly knows - and certainly isn't related to - Alice, yet Lisa leaves Alice in Philip's care.

Parallelism

N/A

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