Situational irony: Marvin walking
The most ironic part of the story is when, after all the lecturing the narrator does to make Marvin leave on different modes of transports, he chooses to simply leave in the most obvious way – by walking off.
Dramatic irony: Marvin and the rug
Older readers will recognize that Marvin is a Seussian representation for the figure of Nixon. Therefore, when Marvin is shown to be standing right at the centre of the bullseye carpet, it is clear that it is a reference to Nixon being a target of the general public and media.
Verbal irony: GO
It is funny to see the word “Go” being illustrated so boldly throughout the story, and yet, this is contradicted by Marvin’s own refusal to actually leave. The juxtaposition of the word and the imagery makes it extremely entertaining to young readers.
Verbal Irony: WENT
It is ironic that the narrator uses various terms to describe the act of Marvin’s exit. Words such as “leave” and “go” are predominantly used. And yet, when Marvin does actually leave, the story ends with it being stated that Marvin “WENT” – which does not necessarily mean he has left the house as he may have simply gone to another room.
Verbal irony: Being polite
It is comical for readers to see the narrator telling Marvin to leave in a very bold and stern way, and yet, the narrator ensures to use the word “please.” Even when urging Marvin to leave, which is a very unpleasant sounding line, the narrator tries to be polite about it.
