The Poetry of Ada Limón

The Poetry of Ada Limón Poem Text

How to Triumph Like a Girl (Bright Dead Things)

I like the lady horses best,

how they make it all look easy,

like running 40 miles per hour

is as fun as taking a nap, or grass.

I like their lady horse swagger,

after winning. Ears up, girls, ears up!

But mainly, let's be honest, I like

that they're ladies. As if this big

dangerous animal is also a part of me,

that somewhere inside the delicate

skin of my body, there pumps

an 8-pound female horse heart,

giant with power, heavy with blood.

Don't you want to believe it?

Don't you want to lift my shirt and see

the huge beating genius machine

that thinks, no, it knows,

it's going to come in first.

Instructions on Not Giving Up (The Carrying)

More than the fuchsia funnels breaking out

of the crabapple tree, more than the neighbor's

almost obscene display of cherry limbs shoving

their cotton candy-colored blossoms to the slate

sky of spring rains, it's the greening of the trees

that really gets to me. When all the shock of white

and taffy, the world's baubles and trinkets, leave

the pavement strewn with the confetti of aftermath,

the leaves come. Patient, plodding, a green skin

growing over whatever winter did to us, a return

to the strange idea of continuous living despite

the mess of us, the hurt, the empty. Fine then,

I'll take it, the tree seems to say, a new slick leaf

unfurling like a fist, I'll take it all.

The Leash (The Carrying)

After the birthing of bombs of forks and fear,

the frantic automatic weapons unleashed,

the spray of bullets into a crowd holding hands,

that brute sky opening in a slate-metal maw

that swallows only the unsayable in each of us, what's

left? Even the hidden nowhere river is poisoned

orange and acidic by a coal mine. How can

you not fear humanity, want to lick the creek

bottom dry, to suck the deadly water up into

your own lungs, like venom? Reader, I want to

say: Don't die. Even when silvery fish after fish

comes back belly up, and the country plummets

into a crepitating crater of hatred, isn't there still

something singing? The truth is: I don't know.

But sometimes I swear I hear it, the wound closing

like a rusted-over garage door, and I can still move

my living limbs into the world without too much

pain, can still marvel at how the dog runs straight

toward the pickup trucks breaknecking down

the road, because she thinks she loves them,

because she's sure, without a doubt, that the loud

roaring things will love her back, her soft small self

alive with desire to share her goddamn enthusiasm,

until I yank the leash back to save her because

I want her to survive forever. Don't die, I say,

and we decide to walk for a bit longer, starlings

high and fevered above us, winter coming to lay

her cold corpse down upon this little plot of earth.

Perhaps we are always hurtling our bodies toward

the thing that will obliterate us, begging for love

from the speeding passage of time, and so maybe,

like the dog obedient at my heels, we can walk together

peacefully, at least until the next truck comes.

Dead Stars (The Carrying)

Out here, there's a bowing even the trees are doing.

Winter's icy hand at the back of all of us.

Black bark, slick yellow leaves, a kind of stillness that feels

so mute it's almost in another year.

I am a hearth of spiders these days: a nest of trying.

We point out the stars that make Orion as we take out

the trash, the rolling containers a song of suburban thunder.

It's almost romantic as we adjust the waxy blue

recycling bin until you say, Man, we should really learn

some new constellations.

And it's true. We keep forgetting about Antlia, Centaurus,

Draco, Lacerta, Hydra, Lyra, Lynx.

But mostly we're forgetting we're dead stars too, my mouth is full

of dust and I wish to reclaim the rising––

to lean in the spotlight of streetlight with you, toward

what's larger within us, toward how we were born.

Look, we are not unspectacular things.

We've come this far, survived this much. What

would happen if we decided to survive more? To love harder?

What if we stood with our synapses and flesh and said, No.

No, to the rising tides.

Stood for the many mute mouths of the sea, of the land?

What would happen if we used our bodies to bargain

for the safety of others, for earth,

if we declared a clean night, if we stopped being terrified,

if we launched our demands into the sky, made ourselves so big

people could point to us with the arrows they make in their minds,

rolling their trash bins out, after all of this is over?

Wife (The Carrying)

I'm not yet comfortable with the word,

its short clean woosh that sounds like

life. At dinner last night my single girls

said in admonition, It's not wife-approved

about a friend's upcoming trip. Their

eyes rolled up and over and out of their

pretty young heads. Wife, why does it

sound like a job? I want a wife, the famous

feminist wrote, a wife who will keep my

clothes clean, ironed, mended, replaced

when need be. A word that could be made

easily into maid. A wife that does, fixes,

soothes, honors, obeys. Housewife,

fishwife, bad wife, good wife, what's

the word for someone who stares long

into the morning, unable to even fix tea

some days, the kettle steaming over

loud like a train whistle, she who cries

in the mornings, she who tears a hole

in the earth and cannot stop grieving,

the one who wants to love you, but often

isn't good at even that, the one who

doesn't want to be diminished

by how much she wants to be yours.

The End of Poetry (The Hurting Kind)

Enough of osseous and chickadee and sunflower

and snowshoes, maple and seeds, samara and shoot,

enough chiaroscuro, enough of thus and prophecy

and the stoic farmer and faith and our father and 'tis

of thee, enough of bosom and bud, skin and god

not forgetting and star bodies and frozen birds,

enough of the will to go on and not go on or how

a certain light does a certain thing, enough

of the kneeling and the rising and the looking

inward and the looking up, enough of the gun,

the drama, and the acquaintance's suicide, the long-lost

letter on the dresser, enough of the longing and

the ego and the obliteration of ego, enough

of the mother and the child and the father and the child

and enough of the pointing to the world, weary

and desperate, enough of the brutal and the border,

enough of can you see me, can you hear me, enough

I am human, enough I am alone and I am desperate,

enough of the animal saving me, enough of the high

water, enough sorrow, enough of the air and its ease,

I am asking you to touch me.

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