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1
Where does Ada Limón find hope in her poems?
Limón addresses some very heavy themes in her poems, necessitating equally powerful sources of hope to balance the darkness. Most often, this hope is situated in other living beings, and in a sense of interconnectedness among them. "Dead Stars" shows the speaker imagining all of humanity collectively embracing our highest potential, fighting for each other and for the planet. "Instructions on Not Giving Up" fulfills the bold promise of its title by showing spring trees as an image of resilience and survival, and by comparing the trees to humans (and vice versa), the speaker makes their survival relevant to our own. Lastly, in "The Leash" it is the speaker's dog who keeps her tethered (i.e., leashed) to her everyday life; at the poem's halfway point, it is the dog walk that literally jolts the poem out of spiraling despair and back into the grounding, present moment with the dog's joy. Although being a poet is often solitary work, Limón consistently locates hope and the will to survive in the relationships she has with other humans, plants, and animals.
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2
How would you summarize Ada Limón's relationship with her readers, in her poems? How does she use this relationship?
Limón has an unusually direct, and explicit, relationship with the audience of her poems. Some poems, like "The Leash," use the word "Reader"; many others use the second-person "you" or second-person verbs such as "Look" in "Dead Stars" to demand our attention. This is because Limón finds the most meaning in connectedness, and she wants her readers to be active participants in this connection, not passive recipients of text on a page. "The End of Poetry" ends with the line, "I am asking you to touch me," leaving it vague as to whether these words address the reader or her husband. But, with the title, the meaning is clear: poetry itself is no substitute for enacting the real, tangible connections that Limón is encouraging us to build in the world. She uses direct addresses to the reader to bridge that gap between the printed page and our real lives.