Genre
Historical non-fiction
Setting and Context
The text is set throughout modern history, beginning with the slave trade in America, and moving on to its consequences.
Narrator and Point of View
The text is written from Gilroy's point of view.
Tone and Mood
The tone of the text is academic and informative.
Protagonist and Antagonist
There is arguably no clear protagonist and antagonist, as the text is not fiction.
Major Conflict
The major conflict of the text is analyzing the black diaspora and black identity.
Climax
There is no clear climax of the text, as Gilroy details different ideas and arguments in each chapter.
Foreshadowing
Gilroy foreshadows the idea of double consciousness at the beginning of the text. He then goes on to speak about it further later in the text.
Understatement
In his third chapter, Gilroy argues that music has been left out of contemporary debates about modernity.
Allusions
Gilroy alludes to many historical eras and events in this text, including the slave trade and the Jim Crow era.
Imagery
Gilroy uses many nautical images in this text, including describing the strength and power of the ocean.
Paradox
Gilroy argues that the exclusion of music from the debate about artistic modernity is wrong considering the importance of music.
Parallelism
Gilroy parallels the experiences of black people from the West, showing how those from America and England will have different concepts of blackness and cultural identity.
Metonymy and Synecdoche
"Darkness" is used as a metonym for ignorance.
Personification
The ocean is personified as "roaring."