Really Good, Actually Literary Elements

Really Good, Actually Literary Elements

Genre

Domestic fiction

Setting and Context

Sent in Toronto

Narrator and Point of View

Third-person narrative

Tone and Mood

The tone is awestruck, and the tone is tense.

Protagonist and Antagonist

The protagonist is Maggie, and the antagonist is Merris.

Major Conflict

The major conflict is between Jon and Maggie. Maggie ends the marriage without good reason, and she ends up regretting it.

Climax

The climax comes when Maggie realizes she should not have ended her marriage.

Foreshadowing

Maggie’s passion for freedom foreshadowed the divorce between her and Jon.

Understatement

Maggie's words ‘really good, actually good’ are an understatement. In actuality, she is miserable.

Allusions

The novel alludes to modern woman’s independence in Toronto.

Imagery

The description of the protagonist's first days after divorce depicts a sense of sight. Maggie says, "The first morning without him, I swear to god I woke up crying. My pillow was wet, at any rate, and instead of flipping it over or changing the pillowcase, I rolled out of bed and fell heavily on the floor." The imagery signifies Maggie's regret for forcing her husband out of wedlock.

Paradox

The main paradox is that Maggie ends up suffering after divorcing her husband, which contradicts her aspirations of independence and leisure.

Parallelism

n/a

Metonymy and Synecdoche

n/a

Personification

Maggie personifies the dog.

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