Detroit (2016 film) Literary Elements

Detroit (2016 film) Literary Elements

Director

Kathryn Bigelow

Leading Actors/Actresses

Will Poulter, John Boyega, Algee Smith

Supporting Actors/Actresses

Hannah Murray, Anthony Mackie

Genre

Drama, Factual Drama

Language

English

Awards

NAACP Image Awards, Outstanding Film

Date of Release

July 26, 2017

Producer

Kathryn Bigelow, Mark Boal, Matthew Budman, Megan Ellison, Colin Wilson

Setting and Context

Detroit, during the 12th Street Riots, Sunday July 23, 1967

Narrator and Point of View

No narrator. The point of view is that of various characters, and also of the audience looking on.

Tone and Mood

Threatening, frightening, out of control.

Protagonist and Antagonist

The antagonist is Krauss; the protagonist is any character he comes into contact with.

Major Conflict

There is conflict between Krauss and his superiors when he is ordered not to shoot the fleeing suspect.

Climax

Julie Ann turns in Krauss and the other men who were present at the motel on the evening of the riots.

Foreshadowing

When Temple continues to tell Krauss that he saw a dead body in the other room, he foreshadows his own murder, because Krauss kills him to avoid him telling authorities what he has seen and experienced.

Understatement

N/A

Innovations in Filming or Lighting or Camera Techniques

N/A

Allusions

The movie is based on real-life events and so alludes to what happened at the riots. It also alludes to the music of the time and to Detroit's identity as Music City.

Paradox

Krauss is growing angry because nobody will turn over the sniper, or admit to being the sniper, which is something that they can't do; there was no sniper and they genuinely don't know what he is talking about.

Parallelism

There is a parallel between Krauss's escalating anger and the violence that ensues at the Motel.

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