The Imagery of Indecency
The narrator recounts, “I sat back comfortably in the silk seat of the expensive carriage and wondered how the magnificence of the buildings, the wide avenues and the parks had been allowed to fall into such disarray and indecency. Even the well-dressed men and women of obvious Spanish upbringing and education walked slowly with the pallor of illness upon their countenance. The peasants and the slaves ambled in ragged, grimy clothing, their feet heavily wrapped in rags. The lepers moved in groups avoiding contact with the other profligates of the city.” Although the city is dominated with motifs of architectural benchmarks, it is profoundly degenerated. Chaos and deterioration bids an unscrupulous impression to the narrator since it outperforms the city’s magnificence. The lethal plague is the primary foundation of the indecency which is ever-present in the city.
The Imagery of Father Jude
The physician reports, “I turned and faced the mask of death itself.It stood only ten feet away. A living skull, a monk from whose face the nose and upper lip had been sliced away to reveal long, deep, opened nostrils and upper gums and teeth.” Unmistakably, Father Jude is daunting since his facial is unquestionably distorted. The father distinguishes that his form is upsetting when he notifies him “Allay your dread. I am of this world…my face is the test given to me by our Lord through the violence of renegade French pirates of the Caribbean.” Had Father Jude not interposed in time, the physician would have straightforwardly settled that he was observing a factual ghost.
