The Matrix Literary Elements

The Matrix Literary Elements

Director

The Wachowskis

Leading Actors/Actresses

Keanu Reeves

Supporting Actors/Actresses

Laurence Fishburne, Carrie-Anne Moss, and Hugo Weaving

Genre

Sci-Fi

Language

English

Awards

The Matrix won four Academy Awards including: Best Film Editing, Best Sound, Best Sound Effects Editing, and Best Visual Effects

Date of Release

March 31st 1999

Producer

Joel Silver

Setting and Context

The U.S., set partially in the future but mostly in the future

Narrator and Point of View

The Matrix is told through the point of view of Neo.

Tone and Mood

Strange, Mysterious, Conspiratorial, Intelligent, Sad, Smart, Stifling, Technological, Frantic, and Crafty

Protagonist and Antagonist

Neo/Agent Smith(s)

Major Conflict

The major conflict of the film is Neo and his group of rebels struggle to survive against the simulation and Agent Smith(s) as they try to free humankind.

Climax

After Neo successfully rescues Trinity and Morpheus, Neo fights Agent Smith and defeats him.

Foreshadowing

Everything that Oracle says foreshadows things that will happen in the future.

Understatement

Agent Smith/the Matrix's strength is understated in the film.

Innovations in Filming or Lighting or Camera Techniques

The bullet time effect was brand-new and incredibly innovative. However, the film was not innovative in filming or lighting or camera techniques.

Allusions

To mythology (particularly the names of the characters -- ex: Morpheus), religion, popular culture, other films, as well as science and technology (some of the technology that is used by Neo and the rebels)

Paradox

The Oracle (played in the film by Gloria Foster) is a normal human herself but is able to predict the future 100% of the time.

Parallelism

There are no significant examples of parallelism in The Matrix.

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