The lure of storytelling (The Illustrated Man)
The tattoos are a meta-fictive gadget - that is, something about crafted by fiction that points out its creation as a work of fiction. The possibility of narrating as having power - that is, the impact of innovativeness on a man's life - is normal. Bradbury makes it a risky undertaking, be that as it may, and there is a touch of Nietzschean self-satisfaction in the tattoos. That is, one looks into the chasm of the Illustrated Man's skin, yet that void looks additionally, demanding a cost on the watcher. Along these lines, a related subject is the threat of the creative ability.
The abuse of technology (The Veldt)
For this situation, there is a chain of causality: the sluggishness induced by a completely computerized home has decimated the familial bond, as the guardians have stopped child rearing; with the familial bond broken, innovation has ventured into the vacuum and turn into the new parent of the youngsters, giving solace and care as well as the way to wipe out the old guardians. Identified with this topic is the peril of the creative energy, as the kids have summoned the truth that preys on their folks.
The acceptance of death (Kaleidoscope)
From one viewpoint, a hopelessly existentialist view is progressed by Hollis: at last we as a whole bite the dust alone and passing renders everything before it inconsequential. While this might be rationally solid - however that is likewise begging to be proven wrong - it doesn't have the enthusiastic reverberation of Lespere's affirmation that one should live as completely as would be prudent, with a specific end goal to better acknowledge passing when the time comes. The way that Lespere has driven an ethically inexcusable life - enjoying polygamy and betting, first off - is Bradbury's method for advised about the extremes of such a state of mind. At last, there is a feeling of recovery in Hollis turning into a star whereupon a young man makes a desire.
The emptiness of revenge (The Other Foot)
Twenty years sometime later, Willie Johnson still recalls the passing of his folks and can't excuse the white individuals capable. In any case, identified with this is the subject of extremism: that it can affirm itself wherever where there is a greater part that can mistreat a minority. As a feature of these subjects, we see the peril and appeal of hordes as an approach to advance perilous thoughts, to play upon the baser senses of people.
