This is a short story collection that gathers seemingly disparate narratives. The main grouping is intended to entwine these stories in a free mold: except for "The Illustrated Man", none of these stories have any clear connection to each other or to the surrounding succession. Nonetheless, they entwine in routes outside of real plot.
Concerning singular stories, Bradbury regularly lays out a circumstance and tails it to a conclusion that appears to be inescapable to the peruser. The commence might be phenomenal in some way, in any case spring from the consistency of human instinct. In some cases he gives a plot wind to the end - Hernando is bewildered by the frenzy of the Americans in "The Highway for instance, or Braling is supplanted by his doll in "Puppets, Inc.".
Be that as it may, these turns in the stories of The Illustrated Man don't frequently change the cautious peruser's point of view and comprehension of the circumstance, which is a sufficiently typical impact with other short stories (particularly in the frightfulness and criminologist types). Or maybe, they give a startling minor departure from the certainty of the circumstance: for instance, it appears to be just fitting that Ettil Vrye is keep running over by an auto of shouting youngsters, he was at that point a casualty of Earthian enslavement. The main bends that re-assess the circumstance happen in "The Other Foot" and "The Fox and the Forest", where the two stories manage the onerous parts of a general public and advantage specifically from playing the intricacy of their plot turns.
