Note: The translations below are primarily by William Aggeler. For the sections that follow, James McGowan's Oxford World's Classics translation—which is the standard translation, but is not available online—is the reference.
Dedication
To the impeccable poet
To the perfect magician of French letters
To my very dear and very revered
Master and friend
Théophile Gautier
With sentiments
Of the most profound humility
I dedicate
These unhealthy flowers
To the Reader
Folly, error, sin, avarice
Occupy our minds and labor our bodies,
And we feed our pleasant remorse
As beggars nourish their vermin.
Our sins are obstinate, our repentance is faint;
We exact a high price for our confessions,
And we gaily return to the miry path,
Believing that base tears wash away all our stains.
On the pillow of evil Satan, Trismegist,
Incessantly lulls our enchanted minds,
And the noble metal of our will
Is wholly vaporized by this wise alchemist.
The Devil holds the strings which move us!
In repugnant things we discover charms;
Every day we descend a step further toward Hell,
Without horror, through gloom that stinks.
Like a penniless rake who with kisses and bites
Tortures the breast of an old prostitute,
We steal as we pass by a clandestine pleasure
That we squeeze very hard like a dried up orange.
Serried, swarming, like a million maggots,
A legion of Demons carouses in our brains,
And when we breathe, Death, that unseen river,
Descends into our lungs with muffled wails.
If rape, poison, daggers, arson
Have not yet embroidered with their pleasing designs
The banal canvas of our pitiable lives,
It is because our souls have not enough boldness.
But among the jackals, the panthers, the bitch hounds,
The apes, the scorpions, the vultures, the serpents,
The yelping, howling, growling, crawling monsters,
In the filthy menagerie of our vices,
There is one more ugly, more wicked, more filthy!
Although he makes neither great gestures nor great cries,
He would willingly make of the earth a shambles
And, in a yawn, swallow the world;
He is Ennui! — His eye watery as though with tears,
He dreams of scaffolds as he smokes his hookah pipe.
You know him reader, that refined monster,
— Hypocritish reader, — my fellow, — my brother!
Benediction
When by decree of the almighty powers,
The Poet walks the world's wearisome sod,
His mother, blasphemous and fearful, cowers,
Clenching her fist against a pitying God:
— "Ah, would whole knots of vipers were my spawn
Rather than this woeful abomination!
Cursed be the sweet swift night and evil dawn
Wherein my womb conceived my expiation!
Since of all women Thou hast chosen me
To be my sorry husband's shame of shames,
Since I may not toss this monstrosity
Like an old billet-doux into the flames,
Thy heavy hatred I shall vomit back
On the damned tool of your malevolence,
Twisting this wretched tree until it crack,
Never to sprout in buds of pestilence!"
Thus she gulps down the froth of her despair,
Nor knowing the eternal paradigms,
Sinks deep into Gehenna to prepare,
Herself, the pyre set for a mother's crimes.
Yet guarded by an unseen Angel's favors,
The outcast child is fired by radiant suns,
In all he eats and all he drinks he savors
Ambrosial gifts and nectared benisons,
He sports with winds, he talks with clouds, he keeps
Singing along the road to Calvary,
While the bright Angel in his traces weeps,
Beholding him as free as birds are free.
All those whom he would love watch him with fear,
Or else, made bold by his serenity,
Wring groans from him that float sweet on the ear
Making him touchstone of their cruelty.
With his due bread and wine, hypocrites, they,
Mix ashes and fat gobs of spittle; grim,
What he has touched, these humbugs cast away,
Deeming it guilty but to follow him.
His wife cries in the market place: "Behold
Since he adores me, I am fair, and fain,
As idols did, and images of old,
To be regilded and adored again.
I shall be drunk with spikenard, incense, myrrh,
With genuflections, viands and wine to see
If, as a glad usurper, I may stir
His heart to pay God's homages to me!
Tired of these impious japes and of their butt,
My strong lithe hand's caress with subtle art
And my sharp nails like harpy claws shall cut
A mortal path straight to his quivering heart.
That heart which flutters like a fledgling bird,
I shall tear, bleeding, from his breast, to pitch
It blandly in the dust without a word
To slake the hunger of my favorite bitch."
To Heaven where he spies a splendent throne,
Serene, the Poet lifts rapt arms; and bright
Luminous thoughts that shine through him alone
Conceal the furious rabble from his sight:
— "Blessèd, O God, who send woe for a cure,
A balm divine for our impurities,
Of essences the noblest and most pure
To school the strong for holy ecstasies!
I know the Poet has his place above
Amid God's saintly hosts and congregations,
Guest at the everlasting banquet of
The Thrones, the Virtues and the Dominations.
Sorrow alone is noble and august,
A force nor earth nor hell shall ever mar,
To weave my mystic crown I know you must
Tax every age and universe that are.
Old Tadmor's vanished gems beyond all price,
Metals unknown, pearls from the richest sea,
Set by Thy holy hand, cannot suffice
To match this dazzling chapter's splendency;
This diadem shall be of sheerest light,
Drawn from the sacred source of primal rays,
Whereof our mortal eyes, however bright,
Serve but as piteous mirrors dull with glaze."
The Albatross
Often, to amuse themselves, the men of a crew
Catch albatrosses, those vast sea birds
That indolently follow a ship
As it glides over the deep, briny sea.
Scarcely have they placed them on the deck
Than these kings of the sky, clumsy, ashamed,
Pathetically let their great white wings
Drag beside them like oars.
That winged voyager, how weak and gauche he is,
So beautiful before, now comic and ugly!
One man worries his beak with a stubby clay pipe;
Another limps, mimics the cripple who once flew!
The poet resembles this prince of cloud and sky
Who frequents the tempest and laughs at the bowman;
When exiled on the earth, the butt of hoots and jeers,
His giant wings prevent him from walking.
Elevation
Above the lakes, above the vales,
The mountains and the woods, the clouds, the seas,
Beyond the sun, beyond the ether,
Beyond the confines of the starry spheres,
My soul, you move with ease,
And like a strong swimmer in rapture in the wave
You wing your way blithely through boundless space
With virile joy unspeakable.
Fly far, far away from this baneful miasma
And purify yourself in the celestial air,
Drink the ethereal fire of those limpid regions
As you would the purest of heavenly nectars.
Beyond the vast sorrows and all the vexations
That weigh upon our lives and obscure our vision,
Happy is he who can with his vigorous wing
Soar up towards those fields luminous and serene,
He whose thoughts, like skylarks,
Toward the morning sky take flight
— Who hovers over life and understands with ease
The language of flowers and silent things!
Correspondences
Nature is a temple in which living pillars
Sometimes give voice to confused words;
Man passes there through forests of symbols
Which look at him with understanding eyes.
Like prolonged echoes mingling in the distance
In a deep and tenebrous unity,
Vast as the dark of night and as the light of day,
Perfumes, sounds, and colors correspond.
There are perfumes as cool as the flesh of children,
Sweet as oboes, green as meadows
— And others are corrupt, and rich, triumphant,
With power to expand into infinity,
Like amber and incense, musk, benzoin,
That sing the ecstasy of the soul and senses.
I Love to Think of Those Naked Epochs
I love to think of those naked epochs
Whose statues Phoebus liked to tinge with gold.
At that time men and women, lithe and strong,
Tasted the thrill of love free from care and prudery,
And with the amorous sun caressing their loins
They gloried in the health of their noble bodies.
Then Cybele, generous with her fruits,
Did not find her children too heavy a burden;
A she-wolf from whose heart flowed boundless love for all,
She fed the universe from her tawny nipples.
Man, graceful, robust, strong, was justly proud
Of the beauties who proclaimed him their king;
Fruits unblemished and free from every scar,
Whose smooth, firm flesh invited biting kisses!
Today, when the Poet wishes to imagine
This primitive grandeur, in places where
Men and women show themselves in a state of nudity,
He feels a gloomy cold enveloping his soul
Before this dark picture full of terror.
Monstrosities bewailing their clothing!
Ridiculous torsos appropriate for masks!
Poor bodies, twisted, thin, bulging or flabby,
That the god Usefulness, implacable and calm,
Wrapped up at tender age in swaddling clothes of brass!
And you, women, alas! pale as candies,
Whom Debauch gnaws and feeds, and you, virgins,
Who trail the heritage of the maternal vice
And all the hideousness of fecundity!
Degenerate races, we have, it's true,
Types of beauty unknown to the ancient peoples:
Visages gnawed by cankers of the heart
And what one might say were languor's marks of beauty;
But these inventions of our backward Muses
Will never prevent unhealthy races
From paying to their youth deep and sincere homage,
— To holy youth, with serene brow and guileless air,
With eyes bright and clear, like a running brook,
Which goes spreading over all things, as free from care
As the blue of the sky, the birds and the flowers,
Its perfumes, its songs and its sweet ardor!
The Beacons
Rubens, river of oblivion, garden of indolence,
Pillow of cool flesh where one cannot love,
But where life moves and whirls incessantly
Like the air in the sky and the tide in the sea;
Leonardo, dark, unfathomable mirror,
In which charming angels, with sweet smiles
Full of mystery, appear in the shadow
Of the glaciers and pines that enclose their country;
Rembrandt, gloomy hospital filled with murmuring,
Ornamented only with a large crucifix,
Lit for a moment by a wintry sun,
Where from rot and ordure rise tearful prayers;
Angelo, shadowy place where Hercules' are seen
Mingling with Christs, and rising straight up,
Powerful phantoms, which in the twilights
Rend their winding-sheets with outstretched fingers;
Boxer's wrath, shamelessness of Fauns, you whose genius
Showed to us the beauty in a villain,
Great heart filled with pride, sickly, yellow man,
Puget, melancholy emperor of galley slaves;
Watteau, carnival where the loves of many famous hearts
Flutter capriciously like butterflies with gaudy wings;
Cool, airy settings where the candelabras' light
Touches with madness the couples whirling in the dance
Goya, nightmare full of unknown things,
Of fetuses roasted in the midst of witches' sabbaths,
Of old women at the mirror and of nude children,
Tightening their hose to tempt the demons;
Delacroix, lake of blood haunted by bad angels,
Shaded by a wood of fir-trees, ever green,
Where, under a gloomy sky, strange fanfares
Pass, like a stifled sigh from Weber;
These curses, these blasphemies, these lamentations,
These Te Deums, these ecstasies, these cries, these tears,
Are an echo repeated by a thousand labyrinths;
They are for mortal hearts a divine opium.
They are a cry passed on by a thousand sentinels,
An order re-echoed through a thousand megaphones;
They are a beacon lighted on a thousand citadels,
A call from hunters lost deep in the woods!
For truly, Lord, the clearest proofs
That we can give of our nobility,
Are these impassioned sobs that through the ages roll,
And die away upon the shore of your Eternity.
The Sick Muse
My poor Muse, alas! what ails you today?
Your hollow eyes are full of nocturnal visions;
I see in turn reflected on your face
Horror and madness, cold and taciturn.
Have the green succubus, the rosy elf,
Poured out for you love and fear from their urns?
Has the hand of Nightmare, cruel and despotic,
Plunged you to the bottom of some weird Minturnae?
I would that your bosom, fragrant with health,
Were constantly the dwelling place of noble thoughts,
And that your Christian blood would flow in rhythmic waves
Like the measured sounds of ancient verse,
Over which reign in turn the father of all songs,
Phoebus, and the great Pan, lord of harvest.
The Venal Muse
Muse of my heart, you who love palaces,
When January frees his north winds, will you have,
During the black ennui of snowy evenings,
An ember to warm your two feet blue with cold?
Will you bring the warmth back to your mottled shoulders,
With the nocturnal beams that pass through the shutters?
Knowing that your purse is as dry as your palate,
Will you harvest the gold of the blue, vaulted sky?
To earn your daily bread you are obliged
To swing the censer like an altar boy,
And to sing Te Deums in which you don't believe,
Or, hungry mountebank, to put up for sale your charm,
Your laughter wet with tears which people do not see,
To make the vulgar herd shake with laughter.
The Bad Monk
Cloisters in former times portrayed on their high walls
The truths of Holy Writ with fitting pictures
Which gladdened pious hearts and lessened the coldness,
The austere appearance, of those monasteries.
In those days the sowing of Christ's Gospel flourished,
And more than one famed monk, seldom quoted today,
Taking his inspiration from the graveyard,
Glorified Death with naive simplicity.
— My soul is a tomb where, bad cenobite,
I wander and dwell eternally;
Nothing adorns the walls of that loathsome cloister.
O lazy monk! When shall I learn to make
Of the living spectacle of my bleak misery
The labor of my hands and the love of my eyes?
My youth has been nothing but a tenebrous storm,
Pierced now and then by rays of brilliant sunshine;
Thunder and rain have wrought so much havoc
That very few ripe fruits remain in my garden.
I have already reached the autumn of the mind,
And I must set to work with the spade and the rake
To gather back the inundated soil
In which the rain digs holes as big as graves.
And who knows whether the new flowers I dream of
Will find in this earth washed bare like the strand,
The mystic aliment that would give them vigor?
Alas! Alas! Time eats away our lives,
And the hidden Enemy who gnaws at our hearts
Grows by drawing strength from the blood we lose!
Evil Fate
To lift a weight so heavy,
Would take your courage, Sisyphus!
Although one's heart is in the work,
Art is long and Time is short.
Far from famous sepulchers
Toward a lonely cemetery
My heart, like muffled drums,
Goes beating funeral marches.
Many a jewel lies buried
In darkness and oblivion,
Far, far away from picks and drills;
Many a flower regretfully
Exhales perfume soft as secrets
In a profound solitude.
My Former Life
For a long time I dwelt under vast porticos
Which the ocean suns lit with a thousand colors,
The pillars of which, tall, straight, and majestic,
Made them, in the evening, like basaltic grottos.
The billows which cradled the image of the sky
Mingled, in a solemn, mystical way,
The omnipotent chords of their rich harmonies
With the sunsets' colors reflected in my eyes;
It was there that I lived in voluptuous calm,
In splendor, between the azure and the sea,
And I was attended by slaves, naked, perfumed,
Who fanned my brow with fronds of palms
And whose sole task it was to fathom
The dolorous secret that made me pine away.
Gypsies Traveling
The prophetical tribe, that ardent eyed people,
Set out last night, carrying their children
On their backs, or yielding to those fierce appetites
The ever ready treasure of pendulous breasts.
The men travel on foot with their gleaming weapons
Alongside the wagons where their kin are huddled,
Surveying the heavens with eyes rendered heavy
By a mournful regret for vanished illusions.
The cricket from the depths of his sandy retreat
Watches them as they pass, and louder grows his song;
Cybele, who loves them, increases her verdure,
Makes the desert blossom, water spurt from the rock
Before these travelers for whom is opened wide
The familiar domain of the future's darkness.
Man and the Sea
Free man, you will always cherish the sea!
The sea is your mirror; you contemplate your soul
In the infinite unrolling of its billows;
Your mind is an abyss that is no less bitter.
You like to plunge into the bosom of your image;
You embrace it with eyes and arms, and your heart
Is distracted at times from its own clamoring
By the sound of this plaint, wild and untamable.
Both of you are gloomy and reticent:
Man, no one has sounded the depths of your being;
O Sea, no person knows your most hidden riches,
So zealously do you keep your secrets!
Yet for countless ages you have fought each other
Without pity, without remorse,
So fiercely do you love carnage and death,
O eternal fighters, implacable brothers!
Don Juan in Hades
When Don Juan descended to the underground sea,
And when he had given his obolus to Charon,
That gloomy mendicant, with Antisthenes' proud look,
Seized the two oars with strong, revengeful hands.
Showing their pendent breasts and their unfastened gowns
Women writhed and twisted under the black heavens,
And like a great flock of sacrificial victims,
A continuous groan trailed along in the wake.
Sganarelle with a laugh was demanding his wage,
While Don Luis with a trembling finger
Was showing to the dead, wandering along the shores,
The impudent son who had mocked his white brow.
Shuddering in her grief, Elvira, chaste and thin,
Near her treacherous spouse who was once her lover,
Seemed to implore of him a final, parting smile
That would shine with the sweetness of his first promises.
Erect in his armor, a tall man carved from stone
Was standing at the helm and cutting the black flood;
But the hero unmoved, leaning on his rapier,
Kept gazing at the wake and deigned not look aside.
Punishment for Pride
In that marvelous time in which Theology
Flourished with the greatest energy and vigor,
It is said that one day a most learned doctor
— After winning by force the indifferent hearts,
Having stirred them in the dark depths of their being;
After crossing on the way to celestial glory,
Singular and strange roads, even to him unknown,
Which only pure Spirits, perhaps, had reached, —
Panic-stricken, like one who has clambered too high,
He cried, carried away by a satanic pride:
"Jesus, little jesus! I raised you very high!
But had I wished to attack you through the defect
In your armor, your shame would equal your glory,
And you would be no more than a despised fetus!"
At that very moment his reason departed.
A crape of mourning veiled the brilliance of that sun;
Complete chaos rolled in and filled that intellect,
A temple once alive, ordered and opulent,
Within whose walls so much pomp had glittered.
Silence and darkness took possession of it
Like a cellar to which the key is lost.
Henceforth he was like the beasts in the street,
And when he went along, seeing nothing, across
The fields, distinguishing nor summer nor winter,
Dirty, useless, ugly, like a discarded thing,
He was the laughing-stock, the joke, of the children.
Beauty
I am fair, O mortals! like a dream carved in stone,
And my breast where each one in turn has bruised himself
Is made to inspire in the poet a love
As eternal and silent as matter.
On a throne in the sky, a mysterious sphinx,
I join a heart of snow to the whiteness of swans;
I hate movement for it displaces lines,
And never do I weep and never do I laugh.
Poets, before my grandiose poses,
Which I seem to assume from the proudest statues,
Will consume their lives in austere study;
For I have, to enchant those submissive lovers,
Pure mirrors that make all things more beautiful:
My eyes, my large, wide eyes of eternal brightness!
The Ideal
It will never be the beauties that vignettes show,
Those damaged products of a good-for-nothing age,
Their feet shod with high shoes, hands holding castanets,
Who can ever satisfy any heart like mine.
I leave to Gavarni, poet of chlorosis,
His prattling troop of consumptive beauties,
For I cannot find among those pale roses
A flower that is like my red ideal.
The real need of my heart, profound as an abyss,
Is you, Lady Macbeth, soul so potent in crime,
The dream of Aeschylus, born in the land of storms;
Or you, great Night, daughter of Michelangelo,
Who calmly contort, reclining in a strange pose
Your charms molded by the mouths of Titans!
The Giantess
At the time when Nature with a lusty spirit
Was conceiving monstrous children each day,
I should have liked to live near a young giantess,
Like a voluptuous cat at the feet of a queen.
I should have liked to see her soul and body thrive
And grow without restraint in her terrible games;
To divine by the mist swimming within her eyes
If her heart harbored a smoldering flame;
To explore leisurely her magnificent form;
To crawl upon the slopes of her enormous knees,
And sometimes in summer, when the unhealthy sun
Makes her stretch out, weary, across the countryside,
To sleep nonchalantly in the shade of her breasts,
Like a peaceful hamlet below a mountainside.
The Mask
Allegorical Statue in the Style of the Renaissance
To Ernest Christophe, Sculptor
Let us gaze at this gem of Florentine beauty;
In the undulation of this brawny body
Those divine sisters, Gracefulness and Strength, abound.
This woman, a truly miraculous marble,
Adorably slender, divinely robust,
Is made to be enthroned upon sumptuous beds
And to charm the leisure of a Pope or a Prince.
— And see that smile, voluptuous and delicate,
Where self-conceit displays its ecstasy;
That sly, lingering look, mocking and languorous;
That dainty face, framed in a veil of gauze,
Whose every feature says, with a triumphant air:
"Pleasure calls me and Love gives me a crown!"
To that being endowed with so much majesty
See what exciting charm is lent by prettiness!
Let us draw near, and walk around its loveliness.
O blasphemy of art! Fatal surprise!
That exquisite body, that promise of delight,
At the top turns into a two-headed monster!
Why no! it's but a mask, a lying ornament,
That visage enlivened by a dainty grimace,
And look, here is, atrociously shriveled,
The real, true head, the sincere countenance
Reversed and hidden by the lying face.
Poor glamorous beauty! the magnificent stream
Of your tears flows into my anguished heart;
Your falsehood makes me drunk and my soul slakes its thirst
At the flood from your eyes, which Suffering causes!
— But why is she weeping? She, the perfect beauty,
Who could put at her feet the conquered human race,
What secret malady gnaws at those sturdy flanks?
— She is weeping, fool, because she has lived!
And because she lives! But what she deplores
Most, what makes her shudder down to her knees,
Is that tomorrow, alas! she will still have to live!
Tomorrow, after tomorrow, always! — like us!
Hymn to Beauty
Do you come from Heaven or rise from the abyss,
Beauty? Your gaze, divine and infernal,
Pours out confusedly benevolence and crime,
And one may for that, compare you to wine.
You contain in your eyes the sunset and the dawn;
You scatter perfumes like a stormy night;
Your kisses are a philtre, your mouth an amphora,
Which make the hero weak and the child courageous.
Do you come from the stars or rise from the black pit?
Destiny, bewitched, follows your skirts like a dog;
You sow at random joy and disaster,
And you govern all things but answer for nothing.
You walk upon corpses which you mock, O Beauty!
Of your jewels Horror is not the least charming,
And Murder, among your dearest trinkets,
Dances amorously upon your proud belly.
The dazzled moth flies toward you, O candle!
Crepitates, flames and says: "Blessed be this flambeau!"
The panting lover bending o'er his fair one
Looks like a dying man caressing his own tomb,
Whether you come from heaven or from hell, who cares,
O Beauty! Huge, fearful, ingenuous monster!
If your regard, your smile, your foot, open for me
An Infinite I love but have not ever known?
From God or Satan, who cares? Angel or Siren,
Who cares, if you make, — fay with the velvet eyes,
Rhythm, perfume, glimmer; my one and only queen!
The world less hideous, the minutes less leaden?
Exotic Perfume
When, with both my eyes closed, on a hot autumn night,
I inhale the fragrance of your warm breast
I see happy shores spread out before me,
On which shines a dazzling and monotonous sun;
A lazy isle to which nature has given
Singular trees, savory fruits,
Men with bodies vigorous and slender,
And women in whose eyes shines a startling candor.
Guided by your fragrance to these charming countries,
I see a port filled with sails and rigging
Still utterly wearied by the waves of the sea,
While the perfume of the green tamarinds,
That permeates the air, and elates my nostrils,
Is mingled in my soul with the sailors' chanteys.
Head of Hair
O fleecy hair, falling in curls to the shoulders!
O black locks! O perfume laden with nonchalance!
Ecstasy! To people the dark alcove tonight
With memories sleeping in that thick head of hair.
I would like to shake it in the air like a scarf!
Sweltering Africa and languorous Asia,
A whole far-away world, absent, almost defunct,
Dwells in your depths, aromatic forest!
While other spirits glide on the wings of music,
Mine, O my love! floats upon your perfume.
I shall go there, where trees and men, full of vigor,
Are plunged in a deep swoon by the heat of the land;
Heady tresses be the billows that carry me away!
Ebony sea, you hold a dazzling dream
Of rigging, of rowers, of pennons and of masts:
A clamorous harbor where my spirit can drink
In great draughts the perfume, the sound and the color;
Where the vessels gliding through the gold and the moire
Open wide their vast arms to embrace the glory
Of a clear sky shimmering with everlasting heat.
I shall bury my head enamored with rapture
In this black sea where the other is imprisoned;
And my subtle spirit caressed by the rolling
Will find you once again, O fruitful indolence,
Endless lulling of sweet-scented leisure!
Blue-black hair, pavilion hung with shadows,
You give back to me the blue of the vast round sky;
In the downy edges of your curling tresses
I ardently get drunk with the mingled odors
Of oil of coconut, of musk and tar.
A long time! Forever! my hand in your thick mane
Will scatter sapphires, rubies and pearls,
So that you will never be deaf to my desire!
Aren't you the oasis of which I dream, the gourd
From which I drink deeply, the wine of memory?
I Adore You as Much as the Nocturnal Vault...
I adore you as much as the nocturnal vault,
O vase of sadness, most taciturn one,
I love you all the more because you flee from me,
And because you appear, ornament of my nights,
More ironically to multiply the leagues
That separate my arms from the blue infinite.
I advance to attack, and I climb to assault,
Like a swarm of maggots after a cadaver,
And I cherish, implacable and cruel beast,
Even that coldness which makes you more beautiful.
You Would Take the Whole World to Bed with You
You would take the whole world to bed with you,
Impure woman! Ennui makes your soul cruel;
To exercise your teeth at this singular game,
You need a new heart in the rack each day.
Your eyes, brilliant as shop windows
Or as blazing lamp-stands at public festivals,
Insolently use a borrowed power
Without ever knowing the law of their beauty.
Blind, deaf machine, fecund in cruelties!
Remedial instrument, drinker of the world's blood,
Why are you not ashamed and why have you not seen
In every looking-glass how your charms are fading?
Why have you never shrunk at the enormity
Of this evil at which you think you are expert,
When Nature, resourceful in her hidden designs,
Makes use of you, woman, O queen of sin,
Of you, vile animal, — to fashion a genius?
O foul magnificence! Sublime ignominy!
Unslakeable Lust
Singular deity, brown as the nights,
Scented with the perfume of Havana and musk,
Work of some obeah, Faust of the savanna,
Witch with ebony flanks, child of the black midnight,
I prefer to constance, to opium, to nuits,
The nectar of your mouth upon which love parades;
When toward you my desires set out in caravan,
Your eyes are the cistern that gives drink to my cares.
Through those two great black eyes, the outlets of your soul,
O pitiless demon! pour upon me less flame;
I'm not the River Styx to embrace you nine times,
Alas! and I cannot, licentious Megaera,
To break your spirit and bring you to bay
In the hell of your bed turn into Proserpine!
With Her Pearly, Undulating Dresses
With her pearly, undulating dresses,
Even when she's walking, she seems to be dancing
Like those long snakes which the holy fakirs
Set swaying in cadence on the end of their staffs.
Like the dull sand and the blue of deserts,
Both of them unfeeling toward human suffering,
Like the long web of the ocean's billows,
She unfurls herself with unconcern.
Her glossy eyes are made of charming minerals
And in that nature, symbolic and strange,
Where pure angel is united with ancient sphinx,
Where everything is gold, steel, light and diamonds,
There glitters forever, like a useless star,
The frigid majesty of the sterile woman.
The Dancing Serpent
Indolent darling, how I love
To see the skin
Of your body so beautiful
Shimmer like silk!
Upon your heavy head of hair
With its acrid scents,
Adventurous, odorant sea
With blue and brown waves,
Like a vessel that awakens
To the morning wind,
My dreamy soul sets sail
For a distant sky.
Your eyes where nothing is revealed
Of bitter or sweet,
Are two cold jewels where are mingled
Iron and gold.
To see you walking in cadence
With fine abandon,
One would say a snake which dances
On the end of a staff.
Under the weight of indolence
Your child-like head sways
Gently to and fro like the head
Of a young elephant,
And your body stretches and leans
Like a slender ship
That rolls from side to side and dips
Its yards in the sea.
Like a stream swollen by the thaw
Of rumbling glaciers,
When the water of your mouth rises
To the edge of your teeth,
It seems I drink Bohemian wine,
Bitter and conquering,
A liquid sky that scatters
Stars in my heart!
A Carcass
My love, do you recall the object which we saw,
That fair, sweet, summer morn!
At a turn in the path a foul carcass
On a gravel strewn bed,
Its legs raised in the air, like a lustful woman,
Burning and dripping with poisons,
Displayed in a shameless, nonchalant way
Its belly, swollen with gases.
The sun shone down upon that putrescence,
As if to roast it to a turn,
And to give back a hundredfold to great Nature
The elements she had combined;
And the sky was watching that superb cadaver
Blossom like a flower.
So frightful was the stench that you believed
You'd faint away upon the grass.
The blow-flies were buzzing round that putrid belly,
From which came forth black battalions
Of maggots, which oozed out like a heavy liquid
All along those living tatters.
All this was descending and rising like a wave,
Or poured out with a crackling sound;
One would have said the body, swollen with a vague breath,
Lived by multiplication.
And this world gave forth singular music,
Like running water or the wind,
Or the grain that winnowers with a rhythmic motion
Shake in their winnowing baskets.
The forms disappeared and were no more than a dream,
A sketch that slowly falls
Upon the forgotten canvas, that the artist
Completes from memory alone.
Crouched behind the boulders, an anxious dog
Watched us with angry eye,
Waiting for the moment to take back from the carcass
The morsel he had left.
— And yet you will be like this corruption,
Like this horrible infection,
Star of my eyes, sunlight of my being,
You, my angel and my passion!
Yes! thus will you be, queen of the Graces,
After the last sacraments,
When you go beneath grass and luxuriant flowers,
To molder among the bones of the dead.
Then, O my beauty! say to the worms who will
Devour you with kisses,
That I have kept the form and the divine essence
Of my decomposed love!
Out of the Depths Have I Cried
I beg pity of Thee, the only one I love,
From the depths of the dark pit where my heart has fallen,
It's a gloomy world with a leaden horizon,
Where through the night swim horror and blasphemy;
A frigid sun floats overhead six months,
And the other six months darkness covers the land;
It's a land more bleak than the polar wastes
— Neither beasts, nor streams, nor verdure, nor woods!
But no horror in the world can surpass
The cold cruelty of that glacial sun
And this vast night which is like old Chaos;
I envy the lot of the lowest animals
Who are able to sink into a stupid sleep,
So slowly does the skein of time unwind!
The Vampire
You who, like the stab of a knife,
Entered my plaintive heart;
You who, strong as a herd
Of demons, came, ardent and adorned,
To make your bed and your domain
Of my humiliated mind
— Infamous bitch to whom I'm bound
Like the convict to his chain,
Like the stubborn gambler to the game,
Like the drunkard to his wine,
Like the maggots to the corpse,
— Accurst, accurst be you!
I begged the swift poniard
To gain for me my liberty,
I asked perfidious poison
To give aid to my cowardice.
Alas! both poison and the knife
Contemptuously said to me:
"You do not deserve to be freed
From your accursed slavery,
Fool! — if from her domination
Our efforts could deliver you,
Your kisses would resuscitate
The cadaver of your vampire!"
One Night I Lay with a Frightful Jewess
One night I lay with a frightful Jewess,
Like a cadaver stretched out beside a cadaver,
And I began to muse, by that peddled body,
About the sad beauty my desire forgoes.
I pictured to myself her native majesty,
Her gaze with power and with grace endowed,
The hair which forms for her a perfumed casque,
And whose souvenir awakens love's desire.
For I would fervently have kissed your fair body
And spread out the treasure of soulful caresses
From your cool feet up to your tresses black,
If, some night, with a tear evoked without effort
You could only, queen of cruel women!
Soften the brilliancy of your cold eyes.
Posthumous Remorse
When you will sleep, O dusky beauty mine,
Beneath a monument fashioned of black marble,
When you will have for bedroom and mansion
Only a rain-swept vault and a hollow grave,
When the slab of stone, oppressing your frightened breast
And your flanks now supple with charming nonchalance,
Will keep your heart from beating, from wishing,
And your feet from running their adventurous course,
The tomb, confidant of my infinite dreams
(For the tomb will always understand the poet)
Through those long nights from which all sleep is banned, will say:
"What does it profit you, imperfect courtesan,
Not to have known why the dead weep?"
— And like remorse the worm will gnaw your skin.
The Cat
Come, superb cat, to my amorous heart;
Hold back the talons of your paws,
Let me gaze into your beautiful eyes
Of metal and agate.
When my fingers leisurely caress you,
Your head and your elastic back,
And when my hand tingles with the pleasure
Of feeling your electric body,
In spirit I see my woman. Her gaze
Like your own, amiable beast,
Profound and cold, cuts and cleaves like a dart,
And, from her head down to her feet,
A subtle air, a dangerous perfume
Floats about her dusky body.
The Duel
Two warriors rushed upon each other; their arms
Spattered the air with sparks and blood.
This fencing, this clashing of steel, are the uproar
Of youth when it becomes a prey to puling love.
The blades are broken! like our youth
My darling! But the teeth, the steely fingernails,
Soon avenge the sword and the treacherous dagger.
— O Fury of mature hearts embittered by love!
In the ravine haunted by lynxes and panthers,
Our heroes viciously clasping each other, rolled,
And their skin will put blooms on the barren brambles.
This abyss, it is hell, thronged with our friends!
Let us roll there without remorse, cruel amazon,
So the ardor of our hatred will be immortalized!
The Balcony
Mother of memories, mistress of mistresses,
O you, all my pleasure, O you, all my duty!
You'll remember the sweetness of our caresses,
The peace of the fireside, the charm of the evenings.
Mother of memories, mistress of mistresses!
The evenings lighted by the glow of the coals,
The evenings on the balcony, veiled with rose mist;
How soft your breast was to me! how kind was your heart!
We often said imperishable things,
The evenings lighted by the glow of the coals.
How splendid the sunsets are on warm evenings!
How deep space is! how potent is the heart!
In bending over you, queen of adored women,
I thought I breathed the perfume in your blood.
How splendid the sunsets are on warm evenings!
The night was growing dense like an encircling wall,
My eyes in the darkness felt the fire of your gaze
And I drank in your breath, O sweetness, O poison!
And your feet nestled soft in my brotherly hands.
The night was growing dense like an encircling wall.
I know the art of evoking happy moments,
And live again our past, my head laid on your knees,
For what's the good of seeking your languid beauty
Elsewhere than in your dear body and gentle heart?
I know the art of evoking happy moments.
Those vows, those perfumes, those infinite kisses,
Will they be reborn from a gulf we may not sound,
As rejuvenated suns rise in the heavens
After being bathed in the depths of deep seas?
— O vows! O perfumes! O infinite kisses!
The One Possessed
The sun was covered with a crape. Like him,
Moon of my life! swathe yourself with darkness;
Sleep or smoke as you will; be silent, be somber,
And plunge your whole being into Ennui's abyss;
I love you thus! However, if today you wish,
Like an eclipsed star that leaves the half-light,
To strut in the places which Madness encumbers,
That is fine! Charming poniard spring out of your sheath!
Light your eyes at the flame of the lusters!
Kindle passion in the glances of churls!
To me you're all pleasure, morbid or petulant;
Be what you will, black night, red dawn;
There is no fiber in my whole trembling body
That does not cry: "Dear Beelzebub, I adore you!"
A Phantom
I The Darkness
In the mournful vaults of fathomless gloom
To which Fate has already banished me,
Where a bright, rosy beam never enters;
Where, alone with Night, that sullen hostess,
I'm like a painter whom a mocking God
Condemns to paint, alas! upon darkness;
Where, a cook with a woeful appetite,
I boil and I eat my own heart;
At times there shines, and lengthens, and broadens
A specter made of grace and of splendor;
By its dreamy, oriental manner,
When it attains its full stature,
I recognize my lovely visitor;
It's She! dark and yet luminous.
II The Perfume
Reader, have you at times inhaled
With rapture and slow greediness
That grain of incense which pervades a church,
Or the inveterate musk of a sachet?
Profound, magical charm, with which the past,
Restored to life, makes us inebriate!
Thus the lover from an adored body
Plucks memory's exquisite flower.
From her tresses, heavy and elastic,
Living sachet, censer for the bedroom,
A wild and savage odor rose,
And from her clothes, of muslin or velvet,
All redolent of her youth's purity,
There emanated the odor of furs.
III The Frame
As a lovely frame adds to a painting,
Even though it's from a master's brush,
An indefinable strangeness and charm
By isolating it from vast nature,
Thus jewels, metals, gilding, furniture,
Suited her rare beauty to perfection;
Nothing dimmed its flawless splendor;
All seemed to form for her a frame.
One would even have said that she believed
That everything wished to love her; she drowned
Her nudity voluptuously
In the kisses of the satin and linen,
And, with each movement, slow or brusque,
She showed the child-like grace of a monkey.
IV The Portrait
Disease and Death make ashes
Of all the fire that flamed for us.
Of those wide eyes, so fervent and tender,
Of that mouth in which my heart was drowned,
Of those kisses potent as dittany,
Of those transports more vivid than sunbeams,
What remains? It is frightful, O my soul!
Nothing but a faint sketch, in three colors,
Which, like me, is dying in solitude,
And which Time, that contemptuous old man,
Grazes each day with his rough wing...
Black murderer of Life and Art,
You will never kill in my memory
The one who was my glory and my joy!
I Give You These Verses So That If My Name
I give you these verses so that if my name,
A vessel favored by a strong north wind,
Fortunately reaches the distant future's shore,
And some night sets the minds of men to dreaming,
Your memory, like fables shrouded in the past,
Will weary the reader like a dulcimer,
And by a mystical, brotherly bond
Remain suspended from my haughty verse;
Accurst being to whom, from the deep abysm
To the highest heaven, nothing responds, save me!
— O you who, like an ephemeral ghost,
Trample lightly and with a serene look
Upon the dull mortals who found you repugnant,
Jet eyed statue, tall angel with a brow of bronze!
Ever the Same
"Whence comes to you, you asked, this singular sadness
That rises like the sea on the naked, black rock?"
— Once our heart has gathered the grapes from its vineyard,
Living is an evil. That's a secret known to all,
A simple pain, with no mystery,
As obvious to all men as your gaiety.
So abandon your search, inquisitive beauty;
And though your voice is sweet, be still!
Be silent, ignorant! ever enraptured soul!
Mouth with the child-like laugh! Still more than Life,
Death holds us frequently with subtle bonds.
Let, let my heart become drunk with a lie; let it
Plunge into your fair eyes as into a fair dream
And slumber long in the shadow of your lashes.
All of Her
The Devil into my high room
This morning came to pay a call,
And trying to find me in fault
Said: "I should like to know,
Among all the beautiful things
Which make her an enchantress,
Among the objects black or rose
That compose her charming body,
Which is the sweetest." — O my soul!
You answered the loathsome Creature:
"Since in Her all is dittany,
No single thing can be preferred.
When all delights me, I don't know
If some one thing entrances me.
She dazzles like the Dawn
And consoles like the Night;
And the harmony that governs
Her whole body is too lovely
For impotent analysis
To note its numerous accords.
O mystic metamorphosis
Of all my senses joined in one!
Her breath makes music,
And her voice makes perfume!"
What Will You Say Tonight, Poor Solitary Soul
What will you say tonight, poor solitary soul,
What will you say, my heart, heart once so withered,
To the kindest, dearest, the fairest of women,
Whose divine glance suddenly revived you?
— We shall try our pride in singing her praises:
There is nothing sweeter than to do her bidding;
Her spiritual flesh has the fragrance of Angels,
And when she looks upon us we are clothed with light.
Be it in the darkness of night, in solitude,
Or in the city street among the multitude,
Her image in the air dances like a torch flame.
Sometimes it speaks and says: "I am fair, I command
That for your love of me you love only Beauty;
I am your guardian Angel, your Muse and Madonna."
The Living Torch
They walk in front of me, those eyes aglow with light
Which a learned Angel has rendered magnetic;
They walk, divine brothers who are my brothers too,
Casting into my eyes diamond scintillations.
They save me from all snares and from all grievous sin;
They guide my steps along the pathway of Beauty;
They are my servitors, I am their humble slave;
My whole being obeys this living torch.
Bewitching eyes, you shine like mystical candles
That burn in broad daylight; the sun
Reddens, but does not quench their eerie flame;
While they celebrate Death, you sing the Awakening;
You walk, singing the awakening of my soul,
Bright stars whose flame no sun can pale!
Reversibility
Angel full of gaiety, do you know anguish,
Shame, remorse, sobs, vexations,
And the vague terrors of those frightful nights
That compress the heart like a paper one crumples?
Angel full of gaiety, do you know anguish?
Angel full of kindness, do you know hatred,
The clenched fists in the darkness and the tears of gall,
When Vengeance beats out his hellish call to arms,
And makes himself the captain of our faculties?
Angel full of kindness, do you know hatred?
Angel full of health, do you know Fever,
Walking like an exile, moving with dragging steps,
Along the high, wan walls of the charity ward,
And with muttering lips seeking the rare sunlight?
Angel full of health, do you know Fever?
Angel full of beauty, do you know wrinkles,
The fear of growing old, and the hideous torment
Of reading in the eyes of her he once adored
Horror at seeing love turning to devotion?
Angel full of beauty, do you know wrinkles?
Angel full of happiness, of joy and of light,
David on his death-bed would have appealed for health
To the emanations of your enchanted flesh;
But of you, angel, I beg only prayers,
Angel full of happiness, of joy and of light!
Confession
One time, once only, sweet, amiable woman,
On my arm your smooth arm
Rested (on the tenebrous background of my soul
That memory is not faded);
It was late; like a newly struck medal
The full moon spread its rays,
And the solemnity of the night streamed
Like a river over sleeping Paris.
And along the houses, under the porte-cocheres,
Cats passed by furtively,
With ears pricked up, or else, like beloved shades,
Slowly escorted us.
Suddenly, in the midst of that frank intimacy
Born in the pale moonlight,
From you, sonorous, rich instrument which vibrates
Only with radiant gaiety,
From you, clear and joyful as a fanfare
In the glistening morning light,
A plaintive note, a bizarre note
Escaped, faltering
Like a puny, filthy, sullen, horrible child,
Who would make his family blush,
And whom they have hidden for a long time
In a secret cellar.
Poor angel, it sang, your discordant note:
"That naught is certain here below,
That always, though it paint its face with utmost care
Man's selfishness reveals itself,
That it's a hard calling to be a lovely woman,
And that it is the banal task
Of the cold and silly danseuse who faints away
With a mechanical smile,
That to build on hearts is a foolish thing,
That all things break, love, and beauty,
Till Oblivion tosses them into his dosser
To give them back to Eternity!"
I've often evoked that enchanted moon,
The silence and the languidness,
And that horrible confidence whispered
In the heart's confessional.
Spiritual Dawn
When debauchees are roused by the white, rosy dawn,
Escorted by the Ideal which gnaws at their hearts
Through the action of a mysterious, vengeful law,
In the somnolent brute an Angel awakens.
The inaccessible blue of Spiritual Heavens,
For the man thrown to earth who suffers and still dreams,
Opens and yawns with the lure of the abyss.
Thus, dear Goddess, Being, lucid and pure,
Over the smoking ruins of stupid orgies,
Your memory, clearer, more rosy, more charming,
Hovers incessantly before my widened eyes.
The sunlight has darkened the flame of the candles;
Thus, ever triumphant, resplendent soul!
Your phantom is like the immortal sun!
Evening Harmony
The season is at hand when swaying on its stem
Every flower exhales perfume like a censer;
Sounds and perfumes turn in the evening air;
Melancholy waltz and languid vertigo!
Every flower exhales perfume like a censer;
The violin quivers like a tormented heart;
Melancholy waltz and languid vertigo!
The sky is sad and beautiful like an immense altar.
The violin quivers like a tormented heart,
A tender heart, that hates the vast, black void!
The sky is sad and beautiful like an immense altar;
The sun has drowned in his blood which congeals...
A tender heart that hates the vast, black void
Gathers up every shred of the luminous past!
The sun has drowned in his blood which congeals...
Your memory in me glitters like a monstrance!
The Perfume Flask
There are strong perfumes for which all matter
Is porous. One would say they go through glass.
On opening a coffer that has come from the East,
Whose creaking lock resists and grates,
Or in a deserted house, some cabinet
Full of the Past's acrid odor, dusty and black,
Sometimes one finds an antique phial which remembers,
Whence gushes forth a living soul returned to life.
Many thoughts were sleeping, death-like chrysalides,
Quivering softly in the heavy shadows,
That free their wings and rise in flight,
Tinged with azure, glazed with rose, spangled with gold.
That is the bewitching souvenir which flutters
In the troubled air; the eyes close; Dizziness
Seizes the vanquished soul, pushes it with both hands
Toward a darkened abyss of human pollution:
He throws it down at the edge of an ancient abyss,
Where, like stinking Lazarus tearing wide his shroud,
There moves as it wakes up, the ghostly cadaver
Of a rancid old love, charming and sepulchral.
Thus, when I'll be lost to the memory
Of men, when I shall be tossed into the corner
Of a dismal wardrobe, a desolate old phial,
Decrepit, cracked, slimy, dirty, dusty, abject,
Delightful pestilence! I shall be your coffin,
The witness of your strength and of your virulence,
Beloved poison prepared by the angels! Liqueur
That consumes me, O the life and death of my heart!
Poison
Wine knows how to adorn the most sordid hovel
With marvelous luxury
And make more than one fabulous portal appear
In the gold of its red mist
Like a sun setting in a cloudy sky.
Opium magnifies that which is limitless,
Lengthens the unlimited,
Makes time deeper, hollows out voluptuousness,
And with dark, gloomy pleasures
Fills the soul beyond its capacity.
All that is not equal to the poison which flows
From your eyes, from your green eyes,
Lakes where my soul trembles and sees its evil side...
My dreams come in multitude
To slake their thirst in those bitter gulfs.
All that is not equal to the awful wonder
Of your biting saliva,
Charged with madness, that plunges my remorseless soul
Into oblivion
And rolls it in a swoon to the shores of death.
Cloudy Sky
One would say that your gaze was veiled with mist;
Your mysterious eyes (are they blue, gray or green?)
Alternately tender, dreamy, cruel,
Reflect the indolence and pallor of the sky.
You call to mind those days, white, soft, and mild,
That make enchanted hearts burst into tears,
When, shaken by a mysterious, wracking pain,
The nerves, too wide-awake, jeer at the sleeping mind.
You resemble at times those gorgeous horizons
That the sun sets ablaze in the seasons of mist...
How resplendent you are, landscape drenched with rain,
Aflame with rays that fall from a cloudy sky!
O dangerous woman, O alluring climates!
Will I also adore your snow and your hoar-frost,
And can I draw from your implacable winter
Pleasures keener than iron or ice?
The Cat
I
In my brain there walks about,
As though he were in his own home,
A lovely cat, strong, sweet, charming.
When he mews, one scarcely hears him,
His tone is so discreet and soft;
But purring or growling, his voice
Is always deep and rich;
That is his charm and secret.
That voice forms into drops, trickles
Into the depths of my being,
Fills me like harmonious verse
And gladdens me like a philtre.
It lulls to sleep the sharpest pains,
Contains all ecstasies;
To say the longest sentences,
It has no need of words,
No, there's no bow that plays upon
My heart, that perfect instrument,
And makes its most vibrant chord
Sing more gloriously
Than your voice, mysterious cat,
Seraphic cat, singular cat,
In whom, as in angels, all is
As subtle as harmonious!
II
From his brown and yellow fur
Comes such sweet fragrance that one night
I was perfumed with it because
I caressed him once, once only.
A familiar figure in the place,
He presides, judges, inspires
Everything within his province;
Perhaps he is a fay, a god?
When my gaze, drawn as by a magnet,
Turns in a docile way
Toward that cat whom I love,
And when I look within myself,
I see with amazement
The fire of his pale pupils,
Clear signal-lights, living opals,
That contemplate me fixedly.
The Beautiful Ship
I want to name for you, indolent sorceress!
The divers marks of beauty which adorn your youth;
I want to describe your beauty,
In which are blended childhood and maturity.
When you go sweeping by in your full, flowing skirts,
You resemble a trim ship as it puts to sea
Under full sail and goes rolling
Lazily, to a slow and easy rhythm.
On your large, round neck, on your plump shoulders,
Your head moves proudly and with a strange grace;
With a placid, triumphant air
You go your way, majestic child.
I want to name for you, indolent sorceress!
The divers marks of beauty which adorn your youth;
I want to describe your beauty,
In which are blended childhood and maturity.
Your exuberant breast which swells your silken gown,
Your triumphant breast is a lovely cabinet
Whose panels, round and bright,
Catch each flash of light like bucklers,
Exciting bucklers, armed with rosy points!
Cabinet of sweet secrets, crowded with good things,
With wines, with perfumes, with liqueurs
That would make delirious the minds and hearts of men!
When you go sweeping by in your full, flowing skirts,
You resemble a trim ship as it puts to sea
Under full sail and goes rolling
Lazily, to a slow and easy rhythm.
Your shapely legs beneath the flounces they pursue
Arouse and torment obscure desires
Like two sorceresses who stir
A black philtre in a deep vessel.
Your arms which would scorn precocious Hercules
Are the worthy rivals of glistening boas,
Made to clasp stubbornly Y
our lover, as if to imprint him on your heart.
On your large, round neck, on your plump shoulders,
Your head moves proudly and with a strange grace;
With a placid, triumphant air
You go your way, majestic child.
Invitation to the Voyage
My child, my sister,
Think of the rapture
Of living together there!
Of loving at will,
Of loving till death,
In the land that is like you!
The misty sunlight
Of those cloudy skies
Has for my spirit the charms,
So mysterious,
Of your treacherous eyes,
Shining brightly through their tears.
There all is order and beauty,
Luxury, peace, and pleasure.
Gleaming furniture,
Polished by the years,
Will ornament our bedroom;
The rarest flowers
Mingling their fragrance
With the faint scent of amber,
The ornate ceilings,
The limpid mirrors,
The oriental splendor,
All would whisper there
Secretly to the soul
In its soft, native language.
There all is order and beauty,
Luxury, peace, and pleasure.
See on the canals
Those vessels sleeping.
Their mood is adventurous;
It's to satisfy
Your slightest desire
That they come from the ends of the earth.
— The setting suns
Adorn the fields,
The canals, the whole city,
With hyacinth and gold;
The world falls asleep
In a warm glow of light.
There all is order and beauty,
Luxury, peace, and pleasure.
The Irreparable
Can we stifle the old, the lingering Remorse,
That lives, quivers and writhes,
And feeds on us like the worm on the dead,
Like the grub on the oak?
Can we stifle implacable Remorse?
In what philtre, in what potion, what wine,
Shall we drown this old enemy,
Destructive and greedy as a harlot,
Patient as the ant?
In what philtre, in what potion, what wine?
Tell it, fair sorceress, O! tell it, if you know,
To this spirit filled with anguish,
So like a dying man crushed beneath the wounded,
Who is struck by the horses' shoes;
Tell it, fair sorceress, O! tell it, if you know,
To this dying man whom the wolf already scents
And whom the crow watches,
To this broken soldier! if he must despair
Of having his cross and his grave,
This poor, dying man whom the wolf already scents!
Can one illuminate a black and miry sky?
Can one tear asunder darkness
Thicker than pitch, without morning, without evening,
Without stars, without ominous lightning?
Can one illuminate a black and miry sky?
Hope that shines in the windows of the Inn
Is snuffed out, dead forever!
Without the moon, without light, to find where they lodge
The martyrs of an evil road!
The Devil has put out all the lights at the Inn!
Adorable sorceress, do you love the damned?
Say, do you know the irremissible?
Do you know Remorse, with the poisoned darts,
For whom our hearts serve as targets?
Adorable sorceress, do you love the damned?
The Irreparable gnaws with his accurst teeth
Our soul, pitiful monument,
And often he attacks like the termite
The foundations of the building.
The Irreparable gnaws with his accurst teeth!
— Sometimes I have seen at the back of a trite stage
Enlivened by a deep-toned orchestra,
A fairy set ablaze a miraculous dawn
In an infernal sky;
Sometimes I have been at the back of a trite stage
A being who was only light, gold and gauze,
Throw down the enormous Satan;
But my heart, which rapture never visits,
Is a playhouse where one awaits
Always, always in vain, the Being with gauze wings!
Conversation
You are a lovely autumn sky, clear and rosy!
But sadness rises in me like the sea,
And as it ebbs, leaves on my sullen lips
The burning memory of its bitter slime.
— In vain does your hand slip over my swooning breast;
What it seeks, darling, is a place plundered
By the claws and the ferocious teeth of woman.
Seek my heart no longer; the beasts have eaten it.
My heart is a palace polluted by the mob;
They get drunk there, kill, tear each other's hair!
— A perfume floats about your naked breast!...
O Beauty, ruthless scourge of souls, you desire it!
With the fire of your eyes, brilliant as festivals,
Bum these tatters which the beasts spared!
Song of Autumn
I
Soon we shall plunge into the cold darkness;
Farewell, vivid brightness of our short-lived summers!
Already I hear the dismal sound of firewood
Falling with a clatter on the courtyard pavements.
All winter will possess my being: wrath,
Hate, horror, shivering, hard, forced labor,
And, like the sun in his polar Hades,
My heart will be no more than a frozen red block.
All atremble I listen to each falling log;
The building of a scaffold has no duller sound.
My spirit resembles the tower which crumbles
Under the tireless blows of the battering ram.
It seems to me, lulled by these monotonous shocks,
That somewhere they're nailing a coffin, in great haste.
For whom? — Yesterday was summer; here is autumn
That mysterious noise sounds like a departure.
II
I love the greenish light of your long eyes,
Sweet beauty, but today all to me is bitter;
Nothing, neither your love, your boudoir, nor your hearth
Is worth as much as the sunlight on the sea.
Yet, love me, tender heart! be a mother,
Even to an ingrate, even to a scapegrace;
Mistress or sister, be the fleeting sweetness
Of a gorgeous autumn or of a setting sun.
Short task! The tomb awaits; it is avid!
Ah! let me, with my head bowed on your knees,
Taste the sweet, yellow rays of the end of autumn,
While I mourn for the white, torrid summer!
To a Madonna
Votive Offering in the Spanish Style
I want to build for you, Madonna, my mistress,
An underground altar in the depths of my grief
And carve out in the darkest corner of my heart,
Far from worldly desires and mocking looks,
A niche, all enameled with azure and with gold,
Where you shall stand, amazed Statue;
With my polished Verses as a trellis of pure metal
Studded cunningly with rhymes of crystal,
I shall make for your head an immense Crown,
And from my Jealousy, O mortal Madonna,
I shall know how to cut a cloak in a fashion,
Barbaric, heavy, and stiff, lined with suspicion,
Which, like a sentry-box, will enclose your charms;
Embroidered not with Pearls, but with all of my Tears!
Your Gown will be my Desire, quivering,
Undulant, my Desire which rises and which falls,
Balances on the crests, reposes in the troughs,
And clothes with a kiss your white and rose body.
Of my Self-respect I shall make you Slippers
Of satin which, humbled by your divine feet,
Will imprison them in a gentle embrace,
And assume their form like a faithful mold;
If I can't, in spite of all my painstaking art,
Carve a Moon of silver for your Pedestal,
I shall put the Serpent which is eating my heart
Under your heels, so that you may trample and mock,
Triumphant queen, fecund in redemptions,
That monster all swollen with hatred and spittle.
You will see my Thoughts like Candles in rows
Before the flower-decked altar of the Queen of Virgins,
Starring with their reflections the azure ceiling,
And watching you always with eyes of fire.
And since my whole being admires and loves you,
All will become Storax, Benzoin, Frankincense, Myrrh,
And ceaselessly toward you, white, snowy pinnacle,
My turbulent spirit will rise like a vapor.
Finally, to complete your role of Mary,
And to mix love with inhumanity,
Infamous pleasure! of the seven deadly sins,
I, torturer full of remorse, shall make seven
Well sharpened Daggers and, like a callous juggler,
Taking your deepest love for a target,
I shall plant them all in your panting Heart,
In your sobbing Heart, in your bleeding Heart!
Afternoon Song
Though your mischievous eyebrows
Give you a singular air,
Not that of an angel,
Sorceress with Siren's eyes,
I adore you, my madcap,
My ineffable passion!
With the pious devotion
Of a priest for his idol.
Your stiff tresses are scented
With the desert and forest,
Your head assumes the poses
Of the enigma and key.
Perfume lingers about your flesh
Like incense about a censer;
You charm like the evening,
Tenebrous, passionate nymph.
Ah! the most potent philtres
Are weaker than your languor,
And you know the caresses
That make the dead live again!
Your haunches are enamored
Of your back and your bosom
And you delight the cushions
With your languorous poses.
Sometimes, to alleviate
Your mysterious passion,
You lavish, resolutely,
Your bites and your kisses;
You tear me open, dark beauty,
With derisive laughter,
And then look at my heart
With eyes as soft as moonlight
Under your satin slippers,
Under your dear silken feet,
I place all my happiness,
My genius and destiny,
My soul brought to life by you
By your clear light and color,
Explosion of heat
In my dark Siberia!
Sisina
Imagine Diana in elegant attire,
Roaming through the forest, or beating the thickets,
Hair flying in the wind, breast bare, drunk with the noise,
Superb, defying the finest horsemen!
Have you seen Théroigne that lover of carnage,
Urging a barefoot mob on to attack,
Her eyes and cheeks aflame, playing her role,
And climbing, sword in hand, the royal staircase?
That is Sisina! But the sweet amazon's soul
Is as charitable as it is murderous;
Her courage, exalted by powder and by drums,
Before supplicants, knows how to lay down its arms,
And her heart, ravaged by love, has always,
For him who is worthy, a reservoir of tears.
In Praise of My Frances
I'll sing to you on a new note,
O young hind that gambols gaily
In the solitude of my heart.
Be adorned with wreaths of flowers,
O delightful woman
By whom our sins are washed away!
As from a benign Lethe,
I shall drink kisses from you,
Who were given a magnet's strength.
When a tempest of vices
Was sweeping down on every path,
You appeared, O divinity!
Like the star of salvation
Above a disastrous shipwreck...
I shall place my heart on your altar!
Reservoir full of virtue,
Fountain of eternal youth,
Restore the voice to my mute lips!
You have burned that which was filthy,
Made smooth that which was rough,
Strengthened that which was weak.
In my hunger you are the inn,
In the darkness my lamp,
Lead me always on virtue's path.
Add your strength now to my strength,
Sweet bath scented
With pleasant perfumes!
Shine forth from my loins,
O cuirass of chastity,
That was dipped in seraphic water,
Cup glittering with precious stones,
Bread seasoned with salt, delectable dish,
Heavenly wine — My Frances.
To a Creole Lady
In the perfumed country which the sun caresses,
I knew, under a canopy of crimson trees
And palms from which indolence rains into your eyes,
A Creole lady whose charms were unknown.
Her complexion is pale and warm; the dark enchantress
Affects a noble air with the movements of her neck.
Tall and slender, she walks like a huntress;
Her smile is calm and her eye confident.
If you went, Madame, to the true land of glory,
On the banks of the Seine or along the green Loire,
Beauty fit to ornament those ancient manors,
You'd make, in the shelter of those shady retreats,
A thousand sonnets grow in the hearts of poets,
Whom your large eyes would make more subject than your slaves.
Grieving and Wandering
Tell me, does your heart sometimes fly away, Agatha,
Far from the black ocean of the filthy city,
Toward another ocean where splendor glitters,
Blue, clear, profound, as is virginity?
Tell me, does your heart sometimes fly away, Agatha?
The sea, the boundless sea, consoles us for our toil!
What demon endowed the sea, that raucous singer,
Whose accompanist is the roaring wind,
With the sublime function of cradle-rocker?
The sea, the boundless sea, consoles us for our toil!
Take me away, carriage! Carry me off, frigate!
Far, far away! Here the mud is made with our tears!
— Is it true that sometimes the sad heart of Agatha
Says: Far from crimes, from remorse, from sorrow,
Take me away, carriage, carry me off, frigate?
How far away you are, O perfumed Paradise,
Where under clear blue sky there's only love and joy,
Where all that one loves is worthy of love,
Where the heart is drowned in sheer enjoyment!
How far away you are, O perfumed Paradise!
But the green Paradise of childhood loves
The outings, the singing, the kisses, the bouquets,
The violins vibrating behind the hills,
And the evenings in the woods, with jugs of wine
— But the green Paradise of childhood loves,
That sinless Paradise, full of furtive pleasures,
Is it farther off now than India and China?
Can one call it back with plaintive cries,
And animate it still with a silvery voice,
That sinless Paradise full of furtive pleasures?
The Ghost
Like angels with wild beast's eyes
I shall return to your bedroom
And silently glide toward you
With the shadows of the night;
And, dark beauty, I shall give you
Kisses cold as the moon
And the caresses of a snake
That crawls around a grave.
When the livid morning comes,
You'll find my place empty,
And it will be cold there till night.
I wish to hold sway over
Your life and youth by fear,
As others do by tenderness.
Autumn Sonnet
They say to me, your eyes, clear as crystal:
"For you, bizarre lover, what is my merit then?"
— Be charming and be still! My heart, which all things irk,
Except the candor of the animals of old,
Does not wish to reveal its black secret to you,
Whose lulling hands invite me to long sleep,
Nor its somber legend written with flame.
I hate passion; intelligence makes me suffer!
Let us love each other sweetly. Tenebrous Love,
Ambushed in his shelter, stretches his fatal bow.
I know all the weapons of his old arsenal:
Crime, horror, and madness! — pale marguerite!
Are you not, like me, an autumnal sun,
O my Marguerite, so white and so cold?
Sadness of the Moon
Tonight the moon dreams with more indolence,
Like a lovely woman on a bed of cushions
Who fondles with a light and listless hand
The contour of her breasts before falling asleep;
On the satiny back of the billowing clouds,
Languishing, she lets herself fall into long swoons
And casts her eyes over the white phantoms
That rise in the azure like blossoming flowers.
When, in her lazy listlessness,
She sometimes sheds a furtive tear upon this globe,
A pious poet, enemy of sleep,
In the hollow of his hand catches this pale tear,
With the iridescent reflections of opal,
And hides it in his heart afar from the sun's eyes.
Cats
Both ardent lovers and austere scholars
Love in their mature years
The strong and gentle cats, pride of the house,
Who like them are sedentary and sensitive to cold.
Friends of learning and sensual pleasure,
They seek the silence and the horror of darkness;
Erebus would have used them as his gloomy steeds:
If their pride could let them stoop to bondage.
When they dream, they assume the noble attitudes
Of the mighty sphinxes stretched out in solitude,
Who seem to fall into a sleep of endless dreams;
Their fertile loins are full of magic sparks,
And particles of gold, like fine grains of sand,
Spangle dimly their mystic eyes.
Owls
Under the dark yews which shade them,
The owls are perched in rows,
Like so many strange gods,
Darting their red eyes. They meditate.
Without budging they will remain
Till that melancholy hour
When, pushing back the slanting sun,
Darkness will take up its abode.
Their attitude teaches the wise
That in this world one must fear
Movement and commotion;
Man, enraptured by a passing shadow,
Forever bears the punishment
Of having tried to change his place.
The Pipe
I am the pipe of an author;
One sees by my color,
Abyssinian or Kaffir,
That my master's a great smoker.
When he is laden with sorrow,
I smoke like a cottage
Where they are preparing dinner
For the return of the ploughman.
I clasp and lull his soul
In the wavy blue web
That rises from my fiery mouth.
I give forth clouds of dittany
That warm his heart and cure
His mind of its fatigue.
Music
Music often transports me like a sea!
Toward my pale star,
Under a ceiling of fog or a vast ether,
I get under sail;
My chest thrust out and my lungs filled
Like the canvas,
I scale the slopes of wave on wave
That the night obscures;
I feel vibrating within me all the passions
Of ships in distress;
The good wind and the tempest with its convulsions
Over the vast gulf
Cradle me. At other times, dead calm, great mirror
Of my despair!
Sepulcher
If on a dismal, sultry night
Some good Christian, through charity,
Will bury your vaunted body
Behind the ruins of a building
At the hour when the chaste stars
Close their eyes, heavy with sleep,
The spider will make his webs there,
And the viper his progeny;
You will hear all year long
Above your damned head
The mournful cries of wolves
And of the half-starved witches,
The frolics of lustful old men
And the plots of vicious robbers.
A Fantastic Print
That strange specter wears nothing more
Than a diadem, atrocious and tawdry,
Grotesquely fixed on his skeleton brow.
Without spurs, without whip, he winds a horse,
A phantom like himself, an apocalyptic steed
That foams at the nostrils like an epileptic.
Both of them are plunging through space
And trampling on the infinite with daring feet.
The horseman is waving a flaming sword
Over the nameless crowds who are crushed by his mount
And examines like a prince inspecting his house,
The graveyard, immense and cold, with no horizon,
Where lie, in the glimmer of a white, lifeless sun,
The races of history, ancient and modern.
The Joyful Corpse
In a rich, heavy soil, infested with snails,
I wish to dig my own grave, wide and deep,
Where I can at leisure stretch out my old bones
And sleep in oblivion like a shark in the wave.
I have a hatred for testaments and for tombs;
Rather than implore a tear of the world,
I'd sooner, while alive, invite the crows
To drain the blood from my filthy carcass.
O worms! black companions with neither eyes nor ears,
See a dead man, joyous and free, approaching you;
Wanton philosophers, children of putrescence,
Go through my ruin then, without remorse,
And tell me if there still remains any torture
For this old soulless body, dead among the dead!
Hatred's Cask
Hatred is the cask of the pale Danaides;
Bewildered Vengeance with arms red and strong
Vainly pours into its empty darkness
Great pailfuls of the blood and the tears of the dead;
The Demon makes secret holes in this abyss,
Whence would escape a thousand years of sweat and strain,
Even if she could revive her victims,
Could restore their bodies, to squeeze them dry once more.
Hatred is a drunkard in a tavern,
Who feels his thirst grow greater with each drink
And multiply itself like the Lernaean hydra.
— While fortunate drinkers know they can be conquered,
Hatred is condemned to this lamentable fate,
That she can never fall asleep beneath the table.
The Flawed Bell
It is bitter and sweet on winter nights
To listen by the fire that smokes and palpitates,
To distant souvenirs that rise up slowly
At the sound of the chimes that sing in the fog.
Happy is the bell which in spite of age
Is vigilant and healthy, and with lusty throat
Faithfully sounds its religious call,
Like an old soldier watching from his tent!
I, my soul is flawed, and when, a prey to ennui,
She wishes to fill the cold night air with her songs,
It often happens that her weakened voice
Resembles the death rattle of a wounded man,
Forgotten beneath a heap of dead, by a lake of blood,
Who dies without moving, striving desperately.
Spleen
January, irritated with the whole city,
Pours from his urn great waves of gloomy cold
On the pale occupants of the nearby graveyard
And death upon the foggy slums.
My cat seeking a bed on the tiled floor
Shakes his thin, mangy body ceaselessly;
The soul of an old poet wanders in the rain-pipe
With the sad voice of a shivering ghost.
The great bell whines, the smoking log
Accompanies in falsetto the snuffling clock,
While in a deck of cards reeking of filthy scents,
My mortal heritage from some dropsical old woman,
The handsome knave of hearts and the queen of spades
Converse sinisterly of their dead love affair.
Spleen
I have more memories than if I'd lived a thousand years.
A heavy chest of drawers cluttered with balance-sheets,
Processes, love-letters, verses, ballads,
And heavy locks of hair enveloped in receipts,
Hides fewer secrets than my gloomy brain.
It is a pyramid, a vast burial vault
Which contains more corpses than potter's field.
— I am a cemetery abhorred by the moon,
In which long worms crawl like remorse
And constantly harass my dearest dead.
I am an old boudoir full of withered roses,
Where lies a whole litter of old-fashioned dresses,
Where the plaintive pastels and the pale Bouchers,
Alone, breathe in the fragrance from an opened phial.
Nothing is so long as those limping days,
When under the heavy flakes of snowy years
Ennui, the fruit of dismal apathy,
Becomes as large as immortality.
— Henceforth you are no more, O living matter!
Than a block of granite surrounded by vague terrors,
Dozing in the depths of a hazy Sahara
An old sphinx ignored by a heedless world,
Omitted from the map, whose savage nature
Sings only in the rays of a setting sun.
Spleen
I am like the king of a rainy land,
Wealthy but powerless, both young and very old,
Who contemns the fawning manners of his tutors
And is bored with his dogs and other animals.
Nothing can cheer him, neither the chase nor falcons,
Nor his people dying before his balcony.
The ludicrous ballads of his favorite clown
No longer smooth the brow of this cruel invalid;
His bed, adorned with fleurs-de-lis, becomes a grave;
The lady's maids, to whom every prince is handsome,
No longer can find gowns shameless enough
To wring a smile from this young skeleton.
The alchemist who makes his gold was never able
To extract from him the tainted element,
And in those baths of blood come down from Roman times,
And which in their old age the powerful recall,
He failed to warm this dazed cadaver in whose veins
Flows the green water of Lethe in place of blood.
Spleen
When the low, heavy sky weighs like a lid
On the groaning spirit, victim of long ennui,
And from the all-encircling horizon
Spreads over us a day gloomier than the night;
When the earth is changed into a humid dungeon,
In which Hope like a bat
Goes beating the walls with her timid wings
And knocking her head against the rotten ceiling;
When the rain stretching out its endless train
Imitates the bars of a vast prison
And a silent horde of loathsome spiders
Comes to spin their webs in the depths of our brains,
All at once the bells leap with rage
And hurl a frightful roar at heaven,
Even as wandering spirits with no country
Burst into a stubborn, whimpering cry.
— And without drums or music, long hearses
Pass by slowly in my soul; Hope, vanquished,
Weeps, and atrocious, despotic Anguish
On my bowed skull plants her black flag.
Obsession
Great woods, you frighten me like cathedrals;
You roar like the organ; and in our cursed hearts,
Rooms of endless mourning where old death-rattles sound,
Respond the echoes of your De profundis.
I hate you, Ocean! your bounding and your tumult,
My mind finds them within itself; that bitter laugh
Of the vanquished man, full of sobs and insults,
I hear it in the immense laughter of the sea.
How I would like you, Night! without those stars
Whose light speaks a language I know!
For I seek emptiness, darkness, and nudity!
But the darkness is itself a canvas
Upon which live, springing from my eyes by thousands,
Beings with understanding looks, who have vanished.
The Desire for Annihilation
Dejected soul, once anxious for the strife,
Hope, whose spur fanned your ardor into flame,
No longer wishes to mount you! Lie down shamelessly,
Old horse who stumbles over every rut.
Resign yourself, my heart; sleep your brutish sleep.
Conquered, foundered spirit! For you, old jade,
Love has no more relish, no more than war;
Farewell then, songs of the brass and sighs of the flute!
Pleasure, tempt no more a dark, sullen heart!
Adorable spring has lost its fragrance!
And Time engulfs me minute by minute,
As the immense snow a stiffening corpse;
I survey from above the roundness of the globe
And I no longer seek there the shelter of a hut.
Avalanche, will you sweep me along in your fall?
The Alchemy of Sorrow
One man lights you with his ardor,
Another puts you in mourning, Nature!
That which says to one: sepulcher!
Says to another: life! glory!
You have always frightened me,
Hermes the unknown, you who help me.
You make me the peer of Midas,
The saddest of all alchemists;
Through you I change gold to iron
And make of paradise a hell;
In the winding sheet of the clouds
I discover a beloved corpse,
And on the celestial shores
I build massive sarcophagi.
Reflected Horror
From that sky, bizarre and livid,
Distorted as your destiny,
What thoughts into your empty soul
Descend? Answer me, libertine.
— Insatiably avid
For the dark and the uncertain,
I shall not whimper like Ovid
Chased from his Latin paradise.
Skies torn like the shores of the sea,
You are the mirror of my pride;
Your vast clouds in mourning
Are the black hearses of my dreams,
And your gleams are the reflection
Of the Hell which delights my heart.
The Man Who Tortures Himself
To J. G. F.
I shall strike you without anger
And without hate, like a butcher,
As Moses struck the rock!
And from your eyelids I shall make
The waters of suffering gush forth
To inundate my Sahara.
My desire swollen with hope
Will float upon your salty tears
Like a vessel which puts to sea,
And in my heart that they'll make drunk
Your beloved sobs will resound
Like a drum beating the charge!
Am I not a discord
In the heavenly symphony,
Thanks to voracious Irony
Who shakes me and who bites me?
She's in my voice, the termagant!
All my blood is her black poison!
I am the sinister mirror
In which the vixen looks.
I am the wound and the dagger!
I am the blow and the cheek!
I am the members and the wheel,
Victim and executioner!
I'm the vampire of my own heart
— One of those utter derelicts
Condemned to eternal laughter,
But who can no longer smile!
Beyond Redemption
I
An Idea, a Form, a Being
Which left the azure sky and fell
Into a leaden, miry Styx
That no eye in Heaven can pierce;
An Angel, imprudent voyager
Tempted by love of the deformed,
In the depths of a vast nightmare
Flailing his arms like a swimmer,
And struggling, mortal agony!
Against a gigantic whirlpool
That sings constantly like madmen
And pirouettes in the darkness;
An unfortunate, enchanted,
Outstretched hands groping futilely,
Looking for the light and the key,
To flee a place filled with reptiles;
A damned soul descending endless stairs
Without banisters, without light,
On the edge of a gulf of which
The odor reveals the humid depth,
Where slimy monsters are watching,
Whose eyes, wide and phosphorescent,
Make the darkness darker still
And make visible naught but themselves;
A ship caught in the polar sea
As though in a snare of crystal,
Seeking the fatal strait through which
It came into that prison;
— Patent symbols, perfect picture
Of an irremediable fate
Which makes one think that the Devil
Always does well whatever he does!
II
Somber and limpid tête-à-tête —
A heart become its own mirror!
Well of Truth, clear and black,
Where a pale star flickers,
A hellish, ironic beacon,
Torch of satanical blessings,
Sole glory and only solace
— The consciousness of doing evil.
The Clock
Impassive clock! Terrifying, sinister god,
Whose finger threatens us and says: "Remember!
The quivering Sorrows will soon be shot
Into your fearful heart, as into a target;
Nebulous pleasure will flee toward the horizon
Like an actress who disappears into the wings;
Every instant devours a piece of the pleasure
Granted to every man for his entire season.
Three thousand six hundred times an hour, Second
Whispers: Remember! — Immediately
With his insect voice, Now says: I am the Past
And I have sucked out your life with my filthy trunk!
Remember! Souviens-toi, spendthrift! Esto memor!
(My metal throat can speak all languages.)
Minutes, blithesome mortal, are bits of ore
That you must not release without extracting the gold!
Remember, Time is a greedy player
Who wins without cheating, every round! It's the law.
The daylight wanes; the night deepens; remember!
The abyss thirsts always; the water-clock runs low.
Soon will sound the hour when divine Chance,
When august Virtue, your still virgin wife,
When even Repentance (the very last of inns!),
When all will say: Die, old coward! it is too late!"
