Stagecoach

Stagecoach Literary Elements

Director

John Ford

Leading Actors/Actresses

Claire Trevor, John Wayne

Supporting Actors/Actresses

Thomas Mitchell, Andy Devine, George Bancroft, Donald Meek, Louise Platt

Genre

Western, Drama

Language

English

Awards

Academy Awards for Best Supporting Actor (Thomas Mitchell) and Best Music

Date of Release

March 3, 1939

Producer

Walter Wanger

Setting and Context

Monument Valley, between Tonto, Arizona to Lordsburg, New Mexico

Narrator and Point of View

No narrator or point of view

Tone and Mood

Dramatic, at times light-hearted, suspenseful, action-packed

Protagonist and Antagonist

Protagonist is Ringo the Kid, Antagonists are the Plummer Brothers, also Geronimo

Major Conflict

The major conflict for Ringo is avenging the murder of his brother and father. The broader conflict against the background of which Ringo's takes place is getting the stagecoach to its destination safely without being set upon by Apache warriors.

Climax

The climax occurs when Ringo successfully kills the Plummer brothers in the shootout and he and Dallas can go to his ranch to live in domestic bliss, with Curley's blessing.

Foreshadowing

Chris tells Ringo that the Plummer brothers are in Lordsburg, which foreshadows his shootout with them.

Understatement

Innovations in Filming or Lighting or Camera Techniques

John Ford was notable for his use of on-location shooting. The action sequence in which the stagecoach contends with the Apache warriors was a milestone in American filmmaking, for the complexity of the action sequences, the impressiveness of the stunts, and its beautifully-shot backdrop in Monument Valley.

Allusions

Paradox

Parallelism

Dallas and Lucy are parallels for one another, representing women of two very different classes. Dallas and Ringo are also parallels for one another, in that they are both good people who have been given a bad rap by society.

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