The Imagery of Ron Hall’s Mortification
Ron Hall recalls, “Miss Poe then produced a fresh stick of chalk and scrawled on the red-brick schoolhouse wall a circle approximately three inches above the spot where my nose would touch if I stood on flat feet. Humiliated, I slunk forward, hiked up on tip toes, and stuck my nose on the wall. After five minutes, my eyes crossed and I had to close them, remembering that my mama had warned me never to look cross-eyed or they could get locked up that way. After fifteen minutes, my toes and calves cramped fiercely, and after twenty minutes, my tears washed the bottom half of Miss Poe’s circle right off the wall.” The penalty which Miss Poe prescribes Ron Hall is degrading and gratuitous. Miss Poe anticipates to disgrace Ron Hall as if he committed a abysmal action. As a teacher (professional), she should have apprehended the psychological repercussions of the shaming Ron publicly. By professional and benevolent canons, Ron Hall’s self-esteem is disagreeably crushed, for Miss Poe ascertains to Hall’s peers that Hall is a fool.
The Imagery of Ron Hall’s Beverly Hills Client
Ron Hall explains, “But in 1975, I cleared $ 10,000 on a Charles Ruseel painting I sold to a man in Beverly Hills who wore gold-tipped white-python cowboy boots and a diamond-studded belt buckle the size of a dinner plate.” The client’s eye-catching outfits radiate astonishing prosperity considering the extraordinary worth of “gold and diamond.” The exquisite metals are corroboration that the client is satisfactorily well-heeled to afford the value of the painting. Ron Hall’s market encompasses enormously prosperous folks.
