Continuing from the theme of previous novels, it seems that Michael, the Electroclan, and the Resistance are joint representatives of goodness in the struggle of morality against the corrupting influence of amorality. Dr. Hatch, an unholy synthesis of the philosophies of Nietzsche (amorality and superiority of the master race) and Machiavelli (ruthless dictatorship and pragmatic imperialism), is the true antagonist, representing both himself as a physical person and his philosophy as an ideological symbol. His philosophy of superiority is evident in the many metaphors he has used through the series: the eagle and chickens, the beast and the dragon, and the Four Horsemen of the Apocalypse. This eschatological biblical imagery, along with his association with Zarathustra (Nietzsche’s übermensch), make Dr. Hatch an anti-christ figure, in opposition to the Christ-figure of Michael, who makes sacrifices to save the world from sin and death while fighting for righteousness.
This particular novel demonstrates the untenability of Hatch’s philosophy; while exercising his power over his “beast” (the electric teenagers), Hatch alienates them and turns them against him by punishing them for their presumed treachery, which they committed by saving their father/friend/mentor from Hatch’s order of execution. This blend of Machiavellian politics and Nietzschean supremacy proves itself to be ineffective, as the former makes enemies of the subjects of the latter. Hatch’s megalomania has taken away the possibility of his glorious rule by means of his “eagles;” they are beginning to realize his delusions and cruelty.
The theme of the illusion of destruction of members of the resistance also emphasizes the eventual triumph and inherent superiority of good over evil. The Elgen continue to try to destroy them with fire and weapons, but they persist through the attacks, gearing up to take on the Elgen once and for all. Good will triumph, despite evil’s repeated, heartless assaults.
