L.A. Confidential Literary Elements

L.A. Confidential Literary Elements

Director

Curtis Hanson

Leading Actors/Actresses

Kevin Spacey, Russell Crowe, and Guy Pearce

Supporting Actors/Actresses

Kim Basinger, James Cromwell, and Danny Devito

Genre

Neo-Noir

Language

English

Awards

Kim Basinger won the Academy Award for Best Supporting Actress and Hanson and Brian Helgeland won the Academy Award for Best Adapted Screenplay. The film was also nominated for the Academy Awards for Best Picture, Best Director, Best Cinematography, Best Set Direction, Best Sound, Best Film Editing, and Best Original Score.

Date of Release

September 19th, 1997

Producer

Arnon Milchan, Curtis Hanson, Michael Nathanson, and David L. Woper

Setting and Context

1950’s Los Angeles

Narrator and Point of View

Told from a third-person point of view; the narrator is Danny Devito’s Sid Hudgens

Tone and Mood

Violent, Solemn, Intense, Mysterious, Tense, and Cynical

Protagonist and Antagonist

Ed Exley, Bud White, and Jack Vincennes (Protagonists) vs. Captain Dudley Smith (Antagonist)

Major Conflict

The main conflict in the film involves the three protagonists’ investigation into police corruption and their investigation in the murder of a celebrity - and the intersection of all of these things.

Climax

When White and Exley engage in a shootout at the motel.

Foreshadowing

Smith’s death is foreshadowed in the film.

Understatement

White’s intelligence is understated towards the start of the film.

Innovations in Filming or Lighting or Camera Techniques

Although the film isn’t innovative in filming or lighting or camera techniques, it is a remarkable feat that the film was shot on location in the present day.

Allusions

To Double Indemnity, In a Lonely Place, When Worlds Collide, The Bad and the Beautiful, Roman Holiday, Serpico, Chinatown, The Killer, Ellroy’s other novels, popular culture, geography, and history.

Paradox

Smith is a high-ranking police officer, yet engages in acts more appropriate for lower-level members of the police force.

Parallelism

N/A

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