Ex Machina (Film)

Ex Machina (Film) Literary Elements

Director

Alex Garland

Leading Actors/Actresses

Domhnall Gleeson

Supporting Actors/Actresses

Oscar Isaac and Alicia Vikander

Genre

Science Fiction, Thriller, Suspense, Drama

Language

English

Awards

Ex Machina was nominated for the Academy Award for Best Original Screenplay for Garland and won the Academy Award for Best Visual Effects

Date of Release

April 10th, 2015

Producer

Andrew Macdonald and Allon Reich

Setting and Context

Nathan's home, location unknown

Narrator and Point of View

No narrator, but primarily seen from Caleb's point of view

Tone and Mood

Unsettling, Futuristic, Suspenseful, Thought-provoking, Uncanny

Protagonist and Antagonist

Caleb is the protagonist. For most of the film, Nathan is the antagonist, but then Ava is revealed to be the real antagonist.

Major Conflict

At first, the conflict appears to be Nathan's abuse of Ava and Caleb's desire to free Ava from the exploitation of her maker. At the end, however, we learn that Nathan has actually been testing to see if Ava can manipulate Caleb, which she has. The conflict of the ending becomes the effort to keep Ava in captivity so that she does not break out into the human world and wreak havoc (due to her inability to feel empathy or emotion).

Climax

When Ava escapes the compound, killing Nathan in the process.

Foreshadowing

Kyoko's reveal as a robot is foreshadowed by the fact that she's treated so poorly and inhumanely by Nathan. Nathan's sexual mistreatment of the robots is foreshadowed by the way he talks about Ava in a sexual manner.

Understatement

Innovations in Filming or Lighting or Camera Techniques

Allusions

The title is an allusion to deus ex machina a traditional literary device (meaning, in Latin, "God from the machine") in which a god or a spirit appears in the eleventh hour of a narrative to wrap up loose ends.

Throughout there are ambiguous allusions to spirituality, religion, and the idea of creation.

Paradox

Ava is herself a paradox, in that she easily can pass the Turing Test, and yet Caleb and the viewer remain unsure of whether she is actually capable of human emotion.

Parallelism

Ava's manipulation of Caleb is based on a parallel she draws between the two of them as misunderstood outsiders.

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