John Dexter saw Othello as 'a man essentially narcissistic and self-dramatising... a pompous, word-spinning arrogant black general'. However, Helen Gardner believed him to be 'a man of action and heroic in his deeds'. Using these views of Othello...

According to the great English essayist and scholar William Hazlitt, the character of Iago from William Shakespeare's masterpiece Othello "is one of the supererogations of Shakespeare's genius," due the fact that Iago's "villainy is without a...

"Is this the promised end?" Analyse the final scene of Othello.

"Iago, you have done well that men must lay their murders on your neck" [5:2 line 166, p.157]. This ironic tone is akin to that of "Is this the promised end?" Can it be anything but...

It has been suggested by many scholars and critics that William Shakespeare (1564-1616) "borrowed" the plotlines in his plays from various sources, such as the tragic works of the ancient Greeks and Romans and from other European writers that...

Othello is a tragedy. But what qualities does it possess to qualify it as such? The key difference between comedy and tragedy is the ability to reconcile and tolerate the inevitable foibles of the human condition. In Othello nothing is tolerated,...

Shakespeare's Othello is a tragedy unlike others of it's time. Othello is a play concerned with domestic fidelity more than royal usurpations. It is a play in which ocular proof comes from a mystical strawberry handkerchief rather than a ghost of...

As Othello, Laurence Olivier entreats the Venetian nobles to relate the true account of his actions and motivations. Olivier's words seem almost imploring, suggesting that he is an outsider seeking approval from those with foreign sympathies. At...

The name Iago comes from Latin, "Iacobus," meaning "one who trips up another and takes his place." This name also belongs to the most important character in Shakespeare's Othello and one of the most wonderfully evil characters of all time. The...

In William Shakespeare's Othello, the deceptive Iago weaves an intricate web of lies with which he enmeshes Othello alongside his many other victims. His manipulation of other characters, machinations that serve as the driving force behind the...

Shakespeare's Othello (Shakespeare, 1604) is a tragedy that unfolds based on the actions and language of one character: Iago. As a result, the plot is linear, yet the play manages to maintain a multidimensional effect. Shakespeare uses the...

"I must weep, / But they are cruel tears," says Othello near the end of his soliloquy in Act Five, Scene Two, right before killing Desdemona. Traditional Shakespearean murderers do not shed tears prior to killing their victim; in Shakespeare's...

Fredrick Nietzsche, a renowned German philosopher, believed that one of the strongest governing drives that humans possess is their desire for power. This theme is omnipresent in Ralph Ellison's Invisible Man, Shakespeare's Othello, and Sophocles'...

The tragedy in both Othello and Macbeth is found not so much in the scattering of bodies covering the stage at the end of each play, but instead in the degeneration of the plays' respective protagonists. Men championed by Shakespeare at the...

Military prowess is a quality attributed to many of Shakespeare's male characters. Great military men such as Hotspur, Lear, Hal and Julius Caesar share a proclivity for the military arts with Othello and Marc Antony. As a superior dramatist,...

In “Women and Men in Othello: ‘what should such a fool/Do with so good a woman?’,” critic Carol Thomas Neely asserts that nearly all rational thought in Othello comes from women. In Neely’s view, the men of Othello are too consumed by pride,...

That the character Desdemona in Shakespeare’s play Othello holds on to her dignified manner until the very end, when she is murdered by her jealous husband, is indicative not only of her chaste mind, but also of her willful determination. Given...

At first glance, Shakespeare’s Desdemona may seem like woman remarkable for her beauty and not much else. In fact, Desdemona is a foil and a catalyst who wields power over men who desire her. The male characters in Othello want to control...

It is commonly believed that one can perceive the soul through a person’s eyes. However, Shakespeare allows the audience and readers to perceive the inner spirit of a character through his words, thereby giving words magnificent power. Throughout...

Characters in Shakespeare’s Othello and The Tempest use stories to explain personal history or change the course of events. These are no simple tales; rather, they are complex and thought-provoking means of enriching each play and carrying action...

Often instead of the gallant, chivalrous hero, it is the deceptive, wicked villain that leaves a lasting imprint on the audience. The subversive and incorrigibly horrendous actions of the villains in Shakespeare’s Othello and Titus Andronicus,...

Shakespeare is a subtle author when it comes to religion, and throughout Othello Iago never directly addresses his religious beliefs. Yet one passage in particular, that of Iago’s attempt to persuade Roderigo to control his passions, makes the...

In Act V Scene II, the final scene and crescendo of the play, we see Othello’s character truly unravel, falling into the depths of tragic heroism and despair. In this scene we see at last the resultant action from Iago’s “poison” words, as Othello...

As far as last words of tragic heroes go, Shakespeare’s Othello’s are distinctly honorable. He says to Lodovico, nobleman who is returning to Venice:

When you shall these unlucky deeds relate,

Speak of me as I am. Nothing extenuate,

Nor set down...

In a play of jealousies and passions, patience, as a virtue, is presented as a foil to the “raging motions” seen in many characters. There are two aspects to patience in Othello, demonstrated firstly by suspending intellectual judgment and...