A central theme in "Much Ado about Nothing" is that of the literary tradition of a heroine within the social conventions surrounding women. The literary tradition of the time (and indeed, in many cases, up to the present day) bestows the...

In Much Ado About Nothing, love is fickle and volatile. Several pairs of characters fall in and out of love at nearly a moment’s notice and a few accept their emotions without question. Many complex events cause these sudden emotional changes to...

William Shakespeare's Much Ado about Nothing, brimming with metaphors and figurative clowning walks the line of comedy and tragedy. As Shakespeare flexes his exemplary wit which brands his work as so signature and formulaic; he brings probably the...

Elizabethan men are not entirely different from some modern men, especially when it comes to their views on marriage, love, and sex. Many men still continue the double standard of expecting their partners to be virginal while they themselves are...

Shakespeare’s light-hearted ‘Much Ado About Nothing’ explores both the triumph and tragedy which presents itself in the love of Hero and Claudio, using the latter as an easily deceived character whose errors almost culminate in a tragic ending to...

Benedick as an Entertaining Outsider

One of Much Ado About Nothing’s most beloved characters is Benedick, a willful and theatrical lord who vows to never be married. Throughout the play he demonstrates himself to be an entertainer to such an...

Don Pedro is a very important character within Much Ado About Nothing by William Shakespeare, both within his own right and in terms of how he draws Shakespeare's other characters together. Often referred to as “the Prince” from Aragon (“No Fear”...

A key element in Shakespearian comedy is the use of parallel characters; Shakespeare invites the audience to compare and contrast, often using characterization and language to highlight the similarities and differences between the characters in...

Bianca appears sparsely in Othello: a grand total of three times. However, she is subject to lashing from both men and women, and she is a complete outsider to any society. Through Shakespeare's depiction of her, she ultimately becomes a microcosm...

Othello’s final speech explores his guilt over murdering Desdemona, as well as Othello’s own struggle with identity as a black Muslim in Venice. Before delivering his speech, Othello becomes convinced by Iago that Desdemona has been unfaithful to...

Throughout ‘Othello’, Shakespeare deliberately engineers male-female relationships to show an imbalance of power. Be it Bianca, who has no power as a courtesan in a patriarchal society, a mere “bauble” with which to play; Emilia, a woman weakened...

The female gaze characterizes Mustafa Sa'eed's self-worth in Tayeh Salih's Season of Migration to the North. As he conforms to stereotypes of Arab-Africans during his interactions with Western women, Mustafa assumes made-up personalities,...

In both the tragedies of King Lear and Othello, the plot is affected by one character's malicious actions, which exacerbate any tensions that are already inherent in the relationships between the characters. Iago in Othello and Edmund in King Lear...

Separating qualities common to one 'set' or 'type' of Shakespeare's plays which are not common to the plays as a whole is a difficult task: it would no doubt be possible to find evidence of any feature uniting 'the Tragedies' within any of...

In Greek tragedy, inevitability plays an important role, portraying the protagonists as pawns of the fates, whose roles in the tragedy are distributed arbitrarily and without justice. The outcomes of these roles are decided before the play even...

Tales of women as sorceresses and magic-wielders abound in the literature and mythology of cultures that promote the gendered binary of culture over nature, activity over passivity, and reason over superstition. In these patriarchal societies,...

Choose one non-dramatic text offered on the module, (an extract from Samuel Taylor Coleridge's Literary Remains,) and show how it might help us understand Othello.

The extract presents a sustained attack by Coleridge on Shakespeare for his lack of...

In Shakespeare's play, Othello, the men hunt the women, as a human hunts animals in the wild. The man exerts dominance and expects the woman to accept her submissive role in relation to his dominance. The central couples involved in showing this...

Speech in Shakespeare's "Othello" possesses a power beyond that of deeds'. It is Othello's fantastical storytelling that won him Desdemona at the start, Iago's poisonous suggestion that leads the general to murder his own wife, Emilia's testimony...

"IAGO: Stand you a while apart.

Confine yourself but in a patient list.

Whilst you were here, o'erwhelmèd with your grief -

A passion most unsuiting such a man -

Cassio came hither. I shifted him away,

And laid good 'scuse upon your ecstasy,

Bade him...

Othello is a man of action. Hamlet is a man of inaction. If Hamlet were placed in Othello's world and vice versa one could assume that both would function well in those circumstances. Othello is a man of action in a play that demands his...

As William Shakespeare's only truly Aristotelian tragedy, Othello has no subplot or comic relief, and, when originally performed, had little spectacle in the way of the set or action. The absence of these distractions leave the themes of the play...

Othello is, among other things, a play about words. Each character's essence is expressed by a distinct idiom, and each character succeeds or fails, at least to an extent, because of language. A passage in the temptation scene, 3.3.191-222,...

Shakespeare is often recognized for a contributing to the canon in a way that causes the adage "there is nothing new under the sun" to ring true. His talent for developing old literary and mythic plots and themes in order to address contemporary...