Broken Arrow Delmer Daves

Broken Arrow is a 1950 American revisionist Western film directed by Delmer Daves and starring James Stewart, Jeff Chandler, and Debra Paget. The film is based on historical figures, but fictionalizes their story in dramatized form. It was nominated for three Academy Awards, and won a Golden Globe Award for Best Film Promoting International Understanding. Film historians have said that the film was one of the first major Westerns since the Second World War to portray Native Americans sympathetically.[2]

Tom Jeffords comes across a wounded 14-year-old Apache boy dying from buckshot wounds in his back. The boy first tries to attack him, not believing it possible that a White man would want to help him, but Jeffords gives the boy water and treats his wounds, staying with him until he heals. The Apache boy is surprised at his goodwill as he is a White man and supposed to be his enemy. The boy's tribesmen appear and are initially hostile, but decide to let Jeffords go free after the boy convinces them that he is a “good” White man who helped him rather than kill him. However, when a group of gold prospectors approaches, the Apache gag Jeffords and tie him to a tree. Helpless, he watches as they attack the prospectors and torture the survivors. The warriors then let him go, but warn him not to enter Apache territory again.

When Jeffords returns to Tucson, he encounters a prospector who escaped the ambush. He corrects a man's exaggerated account of the attack, but Ben Slade is incredulous and does not see why Jeffords did not kill the Apache boy. They have a contentious confrontation and Jeffords defends his choice to do the right thing, no matter who it was for. Jeffords turns down the army's request to scout Apache territory for them and instead learns the Apache language and customs from an Apache guide who lives amongst the townspeople. He plans to go to the Apache leader Cochise's stronghold on behalf of his friend, Milt, who is in charge of the mail service in Tucson. The mail has not been getting through because of Apache raids and Jeffords thinks this would be a good place to begin a peace treaty. He enters the Apache stronghold and begins a parley with Cochise, who agrees to let the mail couriers through after they realize their underlying morality is similar and Cochise is impressed by Jefford’s efforts to learn his language and his bravery for coming to him. Jeffords meets a young Apache woman, Sonseeahray, and they fall in love at first sight.

Despite Cochise agreeing to allow the mail to pass through, Apaches attack an army wagon train and kill the survivors, which was not part of their agreement. The townsfolk try to lynch Jeffords as a traitor for working with their enemies before he is saved by General Oliver Otis Howard who recruits him to negotiate a wider peace treaty with Cochise. Howard, the "Christian General" condemns racism, saying that the Bible "says nothing about pigmentation of the skin". They make a peace treaty with Cochise, but a group led by Geronimo oppose the treaty and leave the stronghold. When these renegades ambush a stagecoach, Jeffords rides off to seek help from Cochise and the stagecoach is saved with the Apaches’ help.

Jeffords and Sonseeahray marry in an Apache ceremony and have several days of tranquility. Ben Slade's son comes to them, telling a story to Jeffords and Cochise about two of his horses stolen by Cochise's people. Cochise says that his people did not take them and doubts his story, as he knows the boy's father is an Apache hater. They nonetheless decide to go along with the boy up the canyon and are ambushed by the boy's father and a gang of men from Tucson. Jeffords is shot and badly wounded and Sonseeahray is shot and killed, but Cochise kills most of the men, including Ben Slade. Cochise forbids Jeffords to retaliate, saying that the ambush was not done by the American military and that Geronimo broke the peace no less than Slade and his men, and that peace must be maintained. General Howard arrives with some of the townsfolk and informs Jeffords and Cochise that the men who survived the ambush and fled have been captured and will be executed for their crime. The townsfolk offer their condolences and apologize. Jeffords rides off with the belief that "the death of Sonseeahray had put a seal upon the peace, and from that day on wherever I went, in the cities, among the Apaches and in the mountains, I always remembered, my wife was with me".

• James Stewart as Tom Jeffords
• Jeff Chandler as Cochise
• Debra Paget as Sonseeahray
• Basil Ruysdael as Gen. Oliver Howard
• Will Geer as Ben Slade
• Joyce MacKenzie as Terry
• Arthur Hunnicutt as Milt Duffield
• Jay Silverheels as Geronimo

Producer Julian Blaustein recalled: "We had a terrible time locating an actor with the proper voice and stature to play Cochise. Before we found Chandler we were even considering Ezio Pinza".[3]

Jeff Chandler was cast in May 1949 on the basis of his performance in Sword in the Desert. He was working in several radio series at the time, Michael Shayne and Our Miss Brooks, and had to be written out of them for several weeks.[4]

Filming started on June 6, 1949. It was primarily shot on location in northern Arizona, approximately 30 miles south of Flagstaff. Apaches from the Whiteriver agency on the Fort Apache Indian Reservation played themselves.[5] Debra Paget was only 16 years old when she played the love interest to 42-year-old James Stewart. Canadian Mohawk actor Jay Silverheels portrayed Geronimo.

The film was based on the 558-page novel Blood Brother (1947) by Elliott Arnold, which told the story of the peace agreement between the Apache leader Cochise and the U.S. Army, 1855–1874. The studio employed nearly 240 Native Americans from Arizona's Fort Apache Indian Reservation; many location scenes were shot in Sedona, Arizona. The story of Cochise actually occurred in what is now the Dragoon Mountains in the Douglas Ranger District of the Coronado National Forest in southeastern Arizona. The studio attempted to portray Apache customs in the film, like the Social Dance and the Girl's Sunrise Ceremony (the girl's puberty rite). For the character of Cochise, director Daves eliminated the traditional style of broken English and replaced it with conventional English so that White Americans and Native Americans would sound alike.[6] An overdub by the character of Jeffords opens the film with a statement about this.

Although many Western films of the pre-World War II period portrayed the Indigenous peoples of the Americas as hostile to the mostly White American settlers, others showed them in a positive light. Broken Arrow is noteworthy for being one of the first post-war Westerns to portray Native Americans in a balanced, sympathetic way, helping to bring in the era of the revisionist Western genre. The two principal Apache characters were played by non-Indigenous actors, with Brooklyn-born Jeff Chandler portraying Apache leader Cochise, and White American Debra Paget playing Jimmy Stewart’s Apache love interest. Notably, Native Canadian Mohawk actor Jay Silverheels played Geronimo, a small part in the film but recognized at the time as there were few Indigenous actors working in Hollywood.[7] As well, the majority of extras were played by actual Apaches.

Some scholars have said that the film appealed to an ideal of tolerance and racial equality that would influence later Westerns and indicate Hollywood's response to the evolving role of Native Americans in the society of the United States.[8] Chronicle of the Cinema praised the film: "Based on verifiable fact, it faithfully evokes the historical relationship between Cochise and Jeffords, marking a historical rehabilitation of Indians in the cinema".[9]

In 1950, Rosebud Yellow Robe, a Native American folklorist, educator, and author, was hired by 20th Century Fox to undertake a national tour to promote the film. Yellow Robe explained that there were no such things as Native American princesses, and that the myth started when Pocahontas went to England and the English named her "Lady Rebecca". Yellow Robe voiced complaints about the portrayals of Indians on radio, screen, and television to "a new generation of children learning the old stereotypes about whooping, warring Indians, as if there weren't anything else interesting about us".[10]

The Apache Wedding Prayer was written for this film.[11]

• The film is recognized by American Film Institute in the 2008 list, AFI's 10 Top 10: Nominated Western Film[15]

Broken Arrow was dramatized as an hour-long Lux Radio Theatre radio play on January 22, 1951, starring Burt Lancaster (replacing an ill James Stewart) and Debra Paget.[16] It was also presented as a half-hour broadcast of Screen Directors Playhouse on September 7, 1951, with James Stewart and Jeff Chandler in their original film roles.[17] The film and novel also provided the basis for a television series of the same name that ran from 1956 through 1958, starring Michael Ansara as Cochise and John Lupton as Jeffords.[18]

• The movie's world premiere was held at the Roxy Theatre in New York City.
• After watching the film, Colombian cyclist Martín Emilio Rodríguez adopted the nickname "Cochise" from the character of the film he liked the most.

• Broken Arrow, an accidental event that involves nuclear weapons
  • Broken Arrow, a 1996 action-thriller film involving such an incident
• List of American films of 1950

1. ^ Originally Michael Blankfort had been listed for this nomination. Blankfort fronted for Maltz, who was a blacklisted writer at the time. Following research by the Writers Guild of America West in July 1991, the Academy of Motion Picture Arts and Sciences officially attributed the nomination to Maltz and removed Blankford.
2. ^ Maltz was not named on the nominations due to being blacklisted, Michael Blankfort was listed instead.

1. ^ Top 20 Films of 1950 by Domestic Revenue
2. ^ John H. Lenihan, Showdown: Confronting Modern America in the Western Film, Urbana: University of Illinois Press, 1980, pp. 55–89.
3. ^ Loynd, Ray. (June 27, 1969). "Steigers Act Out Breakup of a Marriage: Breakup Acted Out by Steigers". Los Angeles Times. p. d1.
4. ^ Schallert, Edwin (May 18, 1949). "Big Chief Cochise Set; Sidney to Direct 'Keys;' Trevor 'Package' Looms". Los Angeles Times. p. A7.
5. ^ Frank Daugherty, "Story of Apache Treaty Being Filmed in Arizona", The Christian Science Monitor July 29, 1949: 5.
6. ^ Aleiss, Angela (2005). Making the White Man's Indian: Native Americans and Hollywood Movies. Westport, Conn./London: Praeger. ISBN 027598396X.
7. ^ "Geronimo: Hollywood's Favorite Native for Over 100 Years". Archived from the original on July 9, 2016. Retrieved April 3, 2016.
8. ^ Angela Aleiss, "Hollywood Addresses Postwar Assimilation: Indian/White Attitudes in Broken Arrow", American Indian Culture and Research Journal, 11(1), pp. 67–79.
9. ^ Robyn Karney (editor), Chronicle of the Cinema; London: Dorling Kindersley, 1995; p. 400.
10. ^ Weinberg, p. 51.
11. ^ Mead, Rebecca (2007). One perfect day : the selling of the American wedding. New York : Penguin Press. p. 136. ISBN 978-1-59420-088-5.
12. ^ "The 23rd Academy Awards (1951) Nominees and Winners". Academy of Motion Picture Arts and Sciences. Archived from the original on September 5, 2012. Retrieved October 9, 2011.
13. ^ "Broken Arrow". Golden Globe Awards. Retrieved July 27, 2024.
14. ^ "Awards Winners". Writers Guild of America Awards. Archived from the original on December 5, 2012. Retrieved June 6, 2010.
15. ^ "AFI's 10 Top 10 Nominees" (PDF). Archived from the original on July 16, 2011. Retrieved August 19, 2016.{{cite web}}: CS1 maint: bot: original URL status unknown (link)
16. ^ "Around-the-Clock Radio and Television Programs". The Pittsburgh Press. February 22, 1951. p. 25. Retrieved March 31, 2021.
17. ^ "Radio Highlights". The Brooklyn Daily Eagle (New York). September 7, 1951. p. 16. Retrieved July 3, 2022.
18. ^ Broken Arrow (TV Series 1956–1958), IMDb

• Aleiss, Angela, Making the White Man's Indian: Native Americans and Hollywood Movies, London & CT: Praeger, 2005; ISBN 0-275-98396-X
• Karney, Robyn (editor), Chronicle of the Cinema; London: Dorling Kindersley, 1995; ISBN 0-7894-0123-1
• Lenihan, John H. Showdown: Confronting Modern America in the Western Film, Urbana: University of Illinois Press, 1980; ISBN 0-252-00769-7
• O'Conner, John E. & Peter C. Rollins, eds. Hollywood's Indian: The Portrayal of the Native American in Film [Paperback], The University Press of Kentucky, 2003; ISBN 0813190770

• Broken Arrow at IMDb
• Broken Arrow at the TCM Movie Database