Wuthering Heights Emily Bronte

Throughout Wuthering Heights, Heathcliff's personality could be defined as dark, menacing, and brooding. He is a dangerous character, with rapidly changing moods, capable of deep-seeded hatred, and incapable, it seems, of any kind of forgiveness...

Wuthering Heights is a timeless classic in which Emily Brontë presents two opposite settings. Wuthering Heights and its occupants are wild, passionate, and strong while Thrushcross Grange and its inhabitants are calm and refined, and these two...

Various glass objects, usually mirrors and windows, play a seemingly ubiquitous role in the construction of Emily Bronte's Wuthering Heights; rarely does a chapter go by where the reader is not given some description of a character passing by a...

Note: Oxford University Press Version of Wuthering Heights used for this paper

In Bronte's novel, Wuthering Heights, a person has the capacity to attain happiness only if his external state of being is a true and accurate manifestation of his...

Life would be strangely different if no person matured past the state of childhood: if one possessed the physical qualities of an adult, but the faculties of only a juvenile. The environment would most definitely be a harsher, more difficult one....

Wuthering Heights is essentially a romantic novel in which the author, Emily Bronte, brings two groups of people with different backgrounds into contact with each other. Close analysis of the novel reveals a key theme. When the reader examines the...

Emily Bronte's Wuthering Heights is a perfect parallel to the time in which it was composed. Heathcliff, her protagonist turned antagonist, was brought into a world in which he did not belong, in both a social and economic sense. As he joined the...

In Wuthering Heights, Bronte depicts the turbulence of the psyche through her characters. Heathcliff, Edgar and Catherine are portrayed not as three distinct personas, but instead as three parts of a single psyche. Heathcliff, Edgar and Catherine...

Readers of Emily Brontë's Wuthering Heights and Maryse Conde's Windward Heights can easily become overwhelmed by the deluge of voices that permeate each of the respective novels. After sorting through the complicated filtering of narratives in...

In Emily Bronte's Wuthering Heights, Catherine redeems her mother's inability to love another tenderly with her love towards Linton. Catherine's lovingness is not one of intense self-consuming passion where the object of love is over-looked and...

Emily Bronte, in her novel Wuthering Heights, characterizes the protagonist Heathcliff as both a recipient and a perpetrator of the continually domineering forces of both love and revenge existing within the novel. Through complex...

Charlotte Bronte's greatest error in her preface to Wuthering Heights is her striking underestimation of Emily Bronte's understanding of the world and human nature. Charlotte writes that her sister had little knowledge of the practicalities of the...

In Emily Bronte's famous novel Wuthering Heights, Heathcliff is indisputably an evil character. He commits innumerable atrocious acts, yet Bronte ensures that one cannot help but feel sympathy towards him. One reason that the book is considered a...

The New Gnosticism:

Reading Romantics in Wuthering Heights

Like the romantic poets who so influenced her, Emily Bronte explores the redefining of religious categories in her most famous novel, Wuthering Heights. Through the relations between her...

In Wuthering Heights, author Emily Bronte depicts Heathcliff, one of the main characters, as an incarnation of evil. Heathcliff is first introduced in the novel as the unpleasant, unwelcoming landowner of Wuthering Heights, and from this first...

"Heathcliff was hard to discover, at first . . . that naughty swearing boy" (Wuthering Heights pp.51-3).

From his arrival, nearly all the inhabitants of Wuthering Heights treat young Heathcliff disdainfully and as "the other" who has intruded into...

“Out of the ground the Lord God made to grow every tree that is pleasant to the sight and good for food, the tree of life also in the midst of the garden, and the tree of knowledge of good and evil,” Genesis reads (Gen 2.9). In the Genesis story...

In Wuthering Heights, Emily Brontë develops a conflict between Catherine Linton and Hareton Earnshaw and uses the resolution of their conflict to resolve that between Catherine and Heathcliff. Though their social classes and upbringings differ,...

In Wuthering Heights, Emily Brontë explores the gender identity of both herself and her characters. She published the book under the name of Ellis Bell, which many readers took to be that of a man. As critic Nicola Thompson points out, most...

A complete structural study of a novel demands preoccupation with structure as both organizational and temporal; in the case of Wuthering Heights especially, the two are inextricably linked. The novel is largely predicated on organization and...

The popularity of gothic fiction varied in Victorian England. During the Romantic period Horace Walpole published The Castle of Otranto (1764), which is often considered the first gothic horror story. Many more stories followed but the popularity...

Tony Harrison’s “A Cold Coming,” William Wordsworth’s “Lines Composed a Few Miles Above Tintern Abbey,” Emily Bronte’s Wuthering Heights and George Orwell’s 1984 each display distinct sensibilities that reflect the time from which they emerged....

Emily Bronte’s classic novel, Wuthering Heights, is not simply the tragic love story it may appear to be on the surface, but is an example of class differences and the role of capital in eighteenth century Victorian England. Using Karl Marx’s...

In the words of Professor Fred Botting, within the Gothic, “transgression is important not only as an interrogation of received rules and values, but in the identification, reconstitution or transformation of limits.” Emily Bronte’s Wuthering...