1 Which of the following is not true about the speaker? In speaking about her own situation, a woman connects to all of humanity The speaker is definitely Wright herself A woman addresses her partner A woman ponders the creation of life from the intimate sexual act until the labor of birth 2 What is the poem's meter? Blank Verse Iambic tetrameter Free Verse Iambic pentameter 3 What is an iamb? A metrical foot consisting of an stressed syllable followed by an unstressed syllable A metrical foot consisting of an stressed syllable followed by another stressed syllable A type of meat that is considered a delicacy in Australia A metrical foot consisting of an unstressed syllable followed by a stressed syllable 4 What is tetrameter? A verse of six measures A verse of four measures A verse of five measures A verse of three measures 5 Which is an example of sibilance? This is no child with a child's face; silent and swift and deep from sight This is the maker and the made; This is our hunter and our chase, 6 What is sibilance? The sound a goat makes Repetition of "m" sounds Repetition of "s" sounds The process of divination 7 Define "resurrection" Jesus's teachings Another word for death The revitalization or revival of something Lazarus 8 Which is an example of anaphora in the poem? Shapeless This is Strength The Maker 9 Who is the third that lays in the couple's embrace? Their guilt A ghost The couple's child Another lover 10 Which of the following is not used to represent the creation of life? the strength that my arm knows the maker and the made; our hunter and our chase the question and reply; 11 Which is not a theme in the poem? Collective Experience Unity Grief Natural Course of Life 12 How many stanzas are in the poem? Five Four Six Three 13 What is suggested by the title? The male speaker imagines what it is like to be female The speaker is angry at her partner There exists a collective human experience The speaker is a female deity 14 What does light represent in the poem? Being overwhelmed Being in the world Blindness Evil 15 What does the poem simultaneously refer to? Being single and being a parent The sexual act and the period of gestation Anger and forgiveness Love and hate 16 What is significant about the metaphor concerning the blood's wild tree and the intricate and folded rose? There is no significance It naturalizes the creation of life It is beautiful but has no meaning Roses do not come from trees 17 Which line suggests an ignorance involved in creating life? the blind head butting at the dark, yet you and I have known it well. foresees the unimagined light. the arc of flesh that is my breast, 18 What is significant about mentioning the man's strength and the arc of the woman's flesh? There is no significance It inserts a divine quality into the creation of life It negatively compares the couple's bodies It grounds the creation of life inside human anatomy and physiology 19 Which line implies some danger in life? the selfless, shapeless seed I hold, This is no child with a child's face; This is our hunter and our chase, the precise crystals of our eyes. 20 What does the last line do in the poem? Shifts the focus, voice, and tone Focus on holding the baby Complains to the addressee Suggest the cycle of generations by implying the speaker will one day be a grandmother 21 In the beginning of the poem, is the baby already developed? Yes No The baby does not exist The baby is born 22 Which description best contributes to a sense of tessellation in the poem? foresees the unimagined light. the precise crystals of our eyes. This is no child with a child's face; This is our hunter and our chase, 23 What is "the blade" suggestive of? Pain, danger, walking a thin line Safety Self-defence Weaponry 24 Who is being addressed in the poem? God The speaker's child The speaker's partner, and the reader (all of humanity) Just the speaker's partner 25 Which line best infuses a divine quality into the creation of life? the selfless, shapeless seed I hold, he blind head butting at the dark, this has no name to name it by; This is the maker and the made;