The imagery of sight
Cecilia spends most of her time on the train reading books, but she finds this boring at some point. She realizes that she needs company, and she looks around and notices that there is a young man to join her. The author writes, "She was not, however, unwilling to dine in company. Looking up once more, she met the eyes of a young man who, balancing stockily, paused to survey the car. A gleam of interest and half recognition, mutually flattering, passed between them."
The Wine Bottles
The description of the bottles' clashing creates a picture of how Cecilia and the young man ended up touching each other's hands. The author writes, "The wine-waiter took their two orders, came back and put down the bottles. The train flung itself sideways; the bottles, clashing together, reeled; Cecilia and his hands flew out to catch them. Their fingers collided, they had to smile.”
The imagery of touch
Cecelia and her companion are feeling warm of they are no longer lonely in this long journey. More importantly, they are attracted to each other, which depicts the sense of touch to readers. The author writes, “As a companion for dinner, she suited him admirably. It is pleasant to be attracted just up to a point; he had asked so far, no more of women than they should be, on varying planes, affable.”
The Imagery of Chiasso
Cecilia is a widow who loves traveling from one country to the other to keep off boredom. In one of her train journeys from Italy, she describes the situation at Chiasso, which depicts the sense of sight to readers. The author writes, "At Chiasso, they stopped dead, it appeared forever. Rain fell darkly against the walls of the sheds; Cecilia began to feel she was in a cattle truck shunted into a siding.”
