Titus Andronicus William Shakespeare

I found Rome a city of bricks and left it a city of marble -Augustus Caesar (63 BC - 14 AD)

In his essay, Titus Andronicus and the Mythos of Shakespeare's Rome, Robert Miola uncovers and explores the myths Shakespeare uses as bedrock for the...

England's unexpected victory over the Spanish Armada in 1588 did much to bolster England's national spirit and usher in a new era of exploration and imperial sentiment. Exploration of the world beyond the boundaries of the British Isles "was...

Titus Andronicus, the first tragedy written by William Shakespeare ca. 1590, is one of his most ambitious plays, full of recognizable themes and motifs which were later incorporated in his more mature works. Yet Titus Andronicus differs greatly...

Charles Forker argues that Marcus Andronicus, upon discovering the maimed, raped and mutilated Lavinia, "erects a barrier of fanciful language between himself and the object of his contemplation." It is an interesting question: does Marcus create...

"The function of wisdom is to discriminate between good and evil"

-Cicero-

There are villainous characters throughout the history of literature that capture our utmost fears of hatred, vengeance, and psychotic behavior. The complexity of the...

Throughout Shakespeare’s “The Tragedy of Titus Andronicus”, Tamora and Aaron seek to harm Titus for the murder of the Goth prince. While it is clear that the queen’s motive for seeking retribution is to avenge the death of her son, it is not...

Often instead of the gallant, chivalrous hero, it is the deceptive, wicked villain that leaves a lasting imprint on the audience. The subversive and incorrigibly horrendous actions of the villains in Shakespeare’s Othello and Titus Andronicus,...

Two similarly flawed notions of love are presented in Shakespeare’s plays Titus Andronicus (TA) and The Winter’s Tale (TWT). Both are rooted in differing degrees of misogyny, yet diverge significantly in their overarching objective. The model of...

One dominant idea that is recurrent throughout Titus Andronicusis the symbolism of the ‘body of Rome’, which acts as a metaphorical parallel to the events of the text. This motif follows the changing statuses of the characters and power structures...

Few of the episodes in Ovid’s Metamorphoses have resonated so powerfully with audiences as Book VI’s story “Tereus, Procne, and Philomela” has been able to. From the time of Metamorphoses’ publication until the present day, the agonizing myth has...

Within the span of British literature, it should come as no surprise that the themes and motifs which appear in written works evolve in nature. Times, cultures, and peoples change, so it is only natural that the things they write down change as...

The women of Shakespeare’s Titus Andronicus and Love’s Labour’s Lost play very different parts in their respective stories. The women in the two plays have differing roles, responsibilities, opportunities. The women in Titus Andronicus are rarely...

While certain of William Shakespeare’s plays have so ingrained themselves into popular culture as to be ubiquitous, others are rarely performed or read and are, in fact, largely ignored. Shakespeare’s Othello, one of the former, and Titus...

Many scholars and critics alike view Shakespeare’s Titus Andronicus, believed by many to be his first tragedy, as an emulation of the bloody, gory revenge plays that were prominent and popularized during the sixteenth century. The play’s plot is...

Shakespeare's first tragedy, Titus Andronicus, sets the foundation for most of his future works. According to the scholar Danielle A. St. Hilaire, throughout the whole play, Shakespeare uses quotes from Greek and Latin works of literature both to...

T.S. Eliot once said that Titus Andronicus "is one of the stupidest and most uninspired plays ever written, a play in which it is incredible that Shakespeare had any hand at all." This was an amusing choice of words on Eliot’s part, as one of the...

A common trope found in most Shakespeare plays is that of using a character from a racial or ethnic minority as a villainous scapegoat. In his time, Shakespeare’s audiences would have been primarily white Christians, and thus any character in his...

Through in-depth studying and interpretation of Shakespeare’s Titus Andronicus, the two voices of Lavinia and Tamora are not only visibly present to the audience, but completely different of how women’s voice were portrayed during that time in...

Explore the relationship between fathers and sons, or fathers and daughters, in two of the plays we have studied. Freud hypothesized that, “The earliest affection of the girl-child is lavished on the father”[1] Shakespeare seems to explore the...

To what extent do literary texts silence the voices of women? Discuss with reference to William Shakespeare’s Titus Andronicus (1589-94) and Charlotte Brontë’s Jane Eyre (1847).

Through questioning the extent to which literary texts silence female...

Power struggles are a defining feature in many of William Shakespeare’s stories. Titus Andronicus, Richard III, and Julius Caesar are three prominent examples of such stories, each depicting a powerful protagonist and their conflicts with others...

William Shakespeare is not well-known for presenting perfectly typical, well-functioning, Leave It to Beaver-esque families, which made his work much more appealing to audiences who were enthralled by unpredictable drama. His representations of...

In his tragedy Titus Andronicus, Shakespeare successfully engages his audience in a variety of emotions. Although these emotions are often negative, they still provide a cathartic release for the reader. Catharsis is defined as “a sudden emotional...