The Witch of Edmonton Thomas Dekker

Because of the belief in early modern England that women were more susceptible to sin than men,[1] any literary depiction of a witch – the epitome of a woman who has fallen to sin – is a manifestation of, and an example of pandering towards, this...

“By its nature, the metropolis provides what otherwise could only be given to traveling: namely, the strange” – Jane Jacobs.

In both The Roaring Girl and The Witch of Edmonton the figure of ‘the other’ emerges through the female characters...