The Stones of Venice Literary Elements

The Stones of Venice Literary Elements

Genre

Art history

Setting and Context

Venice, throughout its history is the setting of the book

Narrator and Point of View

Ruskin narrates the book in the third-person

Tone and Mood

The tone is beautiful; the mood is enchanting.

Protagonist and Antagonist

Ruskin is the protagonist; damaged art is the antagonist.

Major Conflict

The major conflict of the book occurs when Ruskin starts to explain how the architecture in Venice has changed the way the city.

Climax

The climax of the book is reached when Ruskin recounts his visits to Venice and adds a new perspective to his analysis.

Foreshadowing

The detailed examination of each work of art is foreshadowed by the meticulous nature of art historians.

Understatement

The role that art plays in social reform is understated throughout the book.

Allusions

The book alludes to impact that Venetian architecture had on the Renaissance in Italy.

Imagery

The imagery of intricate works of art is present in the text.

Paradox

N/A

Parallelism

There is a parallel between Ruskin's own passion for art and the masterpieces examined throughout the book.

Metonymy and Synecdoche

N/A

Personification

As this is a nonfiction book, certain literary devices are not used prominently, such as personification.

Update this section!

You can help us out by revising, improving and updating this section.

Update this section

After you claim a section you’ll have 24 hours to send in a draft. An editor will review the submission and either publish your submission or provide feedback.

Cite this page