Genre
Crime Fiction
Setting and Context
1980s (but written as the present) Quantico behavioral profiling unit in a climate of panic and fear as a serial killer has kidnapped the daughter of a senator
Narrator and Point of View
Third person narrator. There is no particular point of view
Tone and Mood
Threatening and wrought with physical and psychological danger. Dark and ominous
Protagonist and Antagonist
Clarice Starling is the protagonist. The main antagonists are Buffalo Bill and Hannibal Lecter.
Major Conflict
There is a conflict between Clarice and Dr Chilton generated by the doctor who wants to get credit for "cracking" Dr Lecter and would rather get a woman killed by a serial killer than lose credit for catching him to a young female Federal Agent.
Climax
The discovery of Catherine in the basement of Buffalo Bill's home is the climax to the novel.
Foreshadowing
When Clarice sees a death head moth at Buffalo Bill's home it foreshadows the knowledge that she is in the home of a serial killer.
Understatement
Dr Lecter is described as dangerous which is a wild understatement.
Allusions
The FBI allude to Dr Lecter's crimes throughout the novel without getting into any specifics about them.
Imagery
When Dr Lecter is transferred out of the prison he is wearing a complex mask which creates an image of a monster who cannot be allowed to get close to another person for fear of him literally eating their flesh.
Paradox
Although Dr Lecter is a serial killer and therefore an enemy of the profiling unit he is being treated as an ally when it comes to catching Buffalo Bill.
Parallelism
There is a parallel between the way in which Miggs hits on Clarice and the way in which Dr Chilton does; both have a similar view of her and there is also a parallel in the way in which Dr Lecter views and deals with the disrespect from both of them.
Metonymy and Synecdoche
The victims is a phrase used to include and represent the individual young women who are kidnapped and murdered.
Personification
The jail threatened Clarice which gives the jail the ability as a building to have an intent or a feeling about someone.