The Shawl

The Shawl Literary Elements

Genre

Short Story

Setting and Context

WWII, concentration camps of the Holocaust

Narrator and Point of View

Third-person omniscient

Tone and Mood

Tone: tragic, mournful, blunt, resigned

Mood: barren, bleak, futile

Protagonist and Antagonist

The protagonist of the story is Rosa; and Nazis are antagonists

Major Conflict

Will Rosa be able to keep Magda alive?

Climax

Stella takes Magda's shawl and Magda bursts out into the light of the yard looking for it; at this moment Rosa knows she is doomed

Foreshadowing

1. The author states explicitly that "Rosa knew Magda was going to die very soon," which she does
2. Magda's obsession with the shawl is expressed in a way that indicates it will be taken away and she will die

Understatement

1. "You could think she was one of their babies" is an understatement for saying Rosa was raped by a Nazi and this child is the product of it

Allusions

1. The author mentions a yellow star; this is the Star of David Jews were forced to wear to identify themselves as such

Imagery

The imagery is spare, bleak, almost surreal. The reader conjures up images of terrifyingly empty camps, grotesque barracks, weary marches, and a single beautiful child running into the sunlight only to be killed by a Nazi guard.

Paradox

Though Magda is a daughter of a Nazi soldier Rosa still loves her with all her heart, and does not let hatred towards the Nazis destroy her attitude towards an innocent child

Parallelism

N/A

Metonymy and Synecdoche

Synecdoche:

"The shoulder that carried Magda was not coming toward Rosa . . . " shoulder means the Nazi guard

Personification

1. The voices in the fence "crowded at" Rosa; they "told her to hold up the shawl," and they later "went mad in their growling, urging Rosa to run and run to the spot where Magda had fallen from her flight."
2. "innocent tiger lilies, tall, lifting their orange bonnets"
3. "the light tapped the helmet and sparkled it into a goblet"

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