Genre
Historical Fiction
Setting and Context
The novel is set in the early 1960s in the Netherlands.
Narrator and Point of View
The story is narrated in the third person, primarily from Isabel’s point of view.
Tone and Mood
The tone is somber and introspective. The mood is tense and claustrophobic.
Protagonist and Antagonist
The protagonist is Isabel. The antagonist is Eva’s presence.
Major Conflict
The central conflict is Isabel’s internal battle with her suppressed desires, obsession with control, and the trauma of the past. Externally, this manifests in her tense relationship with Eva, who disrupts the carefully ordered life Isabel has built for herself. The novel’s psychological tension builds as Isabel becomes more fixated on Eva.
Climax
The climax occurs when Isabel finally confronts her feelings for Eva after Johan’s advances.
Foreshadowing
"She found it under a cabinet: as though it had been placed on the table and had then fallen and rolled out of sight. Who would do that, Isabel wondered, and felt that she knew already."
This small incident hints at Isabel’s increasing paranoia and the tension that will escalate between the two women.
Understatement
When Eva dismisses the significance of their kiss. She asserts, “Kisses are just—things, and they happen.”
Allusions
The novel contains allusions to the trauma of World War II.
Imagery
"The first bite spilled on Isabel’s skirt. It wouldn’t show: the fabric was brown, checkered. There was no way of eating it in silence—the sounds it made, the wet. Isabel ate through the whole thing: the flesh and stick and pits and core and all."
This vivid description of the physical act of consuming the pear is laden with emotional weight.
Paradox
The paradox lies in Isabel’s simultaneous desire for control and freedom. She yearns for release from her obsessive need to maintain order but cannot bring herself to relinquish that control.
Parallelism
Isabel’s relationship with her brother mirrors her interactions with Eva, where distance and repression create constant tension.
Metonymy and Synecdoche
N.A
Personification
The house itself is personified as if it has a life and presence of its own.