The Rear-Guard

The Rear-Guard Literary Elements

Speaker or Narrator, and Point of View

The unidentified speaker follows the progress of a soldier making his way through an underground tunnel.

Form and Meter

The poem is composed of four stanzas of different lengths written mostly in iambic pentameter. The rhyme scheme is ABB CDCD ABBACDCDFFG ABAABBC.

Metaphors and Similes

Metaphors
-"Dawn's ghost that filtered down a shafted stair" (Line 20): The light of dawn is compared to a ghost.
-"Unloading hell behind him step by step" (Line 25): Leaving the tunnel is compared to leaving hell.

Alliteration and Assonance

Alliteration
-"prying torch with patching glare" (Line 2): The /p/ repeats.
-"A mirror smashed, the mattress from a bed" (Line 5): The /m/ repeats.
-"Humped at his feet, half-hidden by a rug" (Line 9): The /h/ repeats.
-"And stooped to give the sleeper’s arm a tug" (Line 10): The /s/ repeats.
-"Get up and guide me" (Line 13): The /g/ repeats.
-"Savage, he kicked a soft" (Line 14): The /s/ repeats.
-"fists of fingers" (Line 18): The /f/ repeats.

Assonance
-"He winked his prying torch" (Line 2): The "in" sound repeats.

Irony

The soldier romanticizes the world above and prefers it to the darkness of the tunnel, but the battle being waged above has its own horrors.

Genre

War Poetry

Setting

An underground tunnel specified to be part of the Hindenburg Line.

Tone

Eerie, Gruesome, Disorientating

Protagonist and Antagonist

The protagonist is the soldier making his way through the tunnel. The antagonist is the terrible context that placed him in this situation: the war.

Major Conflict

The major conflict of this poem is whether or not the soldier will make it out of the tunnel alive. His sleep-deprivation and the darkness of the tunnel increase the poem's tension.

Climax

The climax occurs when the soldier encounters what he assumes to be a sleeping figure, but is actually the corpse of a man who suffered a hard death ten days previously.

Foreshadowing

N/A

Understatement

The air is described as "unwholesome," which may be an understatement for this dank tunnel in which corpses decompose.

Allusions

The details about the body the soldier finds allude to the terrors of the war. This soldier stands in for all the others who died.

Metonymy and Synecdoche

The term "fists of fingers" evokes many parts of a whole and could refer to the sheer amount of soldiers who died as a result of the war (Line 18). This is an example of synecdoche.

Personification

N/A

Hyperbole

N/A

Onomatopoeia

N/A

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