1 What has changed to fear in the beginning of "The Liar"? metamorphosis of self an image of a tree and cold birds flesh feelings of love 2 Why are the images offered in Stanza I scary? (For extra help, consult "Summary and Analysis" section of the guide.) They employ dark language that is meant to be eerie, such as "shadow," "frozen," and "rattling." They constitute scenes that cannot be found in nature but that are easily visualized in the imagination. Thus, they constitute an alienation from nature. They are a physical representation of all the things the speaker once loved and now fears. All of the above 3 Is the speaker's body completely separated from his soul? Why or why not? Yes; the body and the soul are understood as separate entities and opposing forces in Baraka's literary canon Yes; the spirit is trapped in the flesh and the flesh tortures and degrades the spirit No; every time the speaker tries to find his flesh, all he finds are entrances of spirit. Thus, flesh and spirit are inseparable. No; he doesn't technically have a body or soul because he is an alien 4 Does the speaker enjoy bodily pleasures? Why or why not? Yes; bodily pleasures are called "pleasures" because they feel good Yes; he loves their "chanting weight" that "erased familiarity from his face" No; he feels trapped inside his body and his bodily pleasures degrade his soul No; he describes the "comforts" of the spirit as disgusting things that he cannot understand 5 Fill in the blanks: "Though I am a ____ / who is loud / on the ____ / of his ways" person, birth alien, craziness man, birth man, tides 6 What does the speaker publicly redefine? his name his soul his poetry his body 7 How did the speaker profit from the change in his soul? immensely enormously divinely biblically 8 What was erased from the speaker's face? familiarity his eyes sight his moles 9 Fill in the blanks: "A ____ I think, / an _____" fire, ember stupor, airiness question, askance question, answer 10 Fill in the blanks: "whatever sits / counting the ______ / till you _____" hours, fall seconds, rest minutes, live minutes, die 11 What is the title of this poem? The Pretender The Liar The Deciever The Rider 12 What was the author's name when this poem was published? Immamu Amiri Baraka LeRoi Jones Amiri Baraka LeRoy Jones 13 Which of the following is an example of alliteration from the poem? "When they say, 'It is Roi / who is dead.' I wonder / who will they mean?" "We want live / Words of the hip world live flesh & / Coursing blood" "They / are whithered yellow flowers and were never / beautiful" "silver spiraled whirled against the / sun" 14 What year was this poem published? 1965 1966 1963 1961 15 What are the two main themes of "The Liar"? Metamorphosis of Self & Separation/Unity of the Body and Soul Psychological Terror & Separation of the Body and Soul Popular Culture/Oral Tradition & Individuality Individuality & Psychological Terror 16 What two qualities would characterize the speaker of "The Liar"? hateful & changing shy & timid alien & scared vocal & critical 17 What does "biblically" mean in the context of this poem? shyly hugely; immensely tinily meekly 18 What is the closest definition of the word "familiarity" in the context of this poem? friendliness relaxed friendliness or intimacy between people inappropriate and often offensive informality of behavior or language the state of being known or familiar 19 What is "Roi" a reference to in this poem? Roi Hibbert Roy Halladay It's a nickname for LeRoy Neiman, Baraka's best friend in childhood It's a nickname for LeRoi Jones, Baraka's name at the publication of this poem 20 What kind of literary device is contained in the quotation "It is Roi / who is dead"? allegory assonance allegedly metaphor 21 What does "instances" mean in the context of this poem? examples moments bodily comforts entrances 22 What is the closest meaning of "comforts" in the context of this poem? greasy foods bodily pleasures condolences things that cause pain 23 What kind of literary device is "rattling"? imagery description onomatopoeia simile