The Exorcist (1973 film) Literary Elements

The Exorcist (1973 film) Literary Elements

Director

William Friedkin

Leading Actors/Actresses

Ellen Burstyn, Max von Sydow, Linda Blaie

Supporting Actors/Actresses

Lee J. Kobb, Kitty Winn, Jack MacGowran

Genre

Horror

Language

English, Latin, Greek, Kurdish Arabic, German, French

Awards

Two Academy Awards and four Golden Globe Awards.

Date of Release

26th December 1973 (USA)

Producer

William Peter Blatty

Setting and Context

Georgetown, 1973

Narrator and Point of View

Omniscient point of view, switching between characters.

Tone and Mood

Frightening, tragic, scary

Protagonist and Antagonist

Protagonists: The priests, Antagonist: Pazuzu the demon

Major Conflict

The demon Pazuzu possesses Regan.

Climax

The exorcism at the ending, where both the priests die taking Pazuzu with them to the grave.

Foreshadowing

The demon is foreshadowed by the first scene in which the priests first finds Pazuzu.

Understatement

The doctors state that Regan is "healthy", which understates the seriousness of the issue.

Innovations in Filming or Lighting or Camera Techniques

Lighting is often used to dim the mood, while the gross parts are highlighted. Various contrasts between light and dark, as well as filming from high and low are also used as a scare-factor.

Allusions

There are many allusions to the bible throughout the movie. In the beginning Pazuzu is connected to the Babylonians, the original inhabitants of Iraq. In the Bible, the Babylonians are also mentioned with idols.

The cross is also used frequently, which obviously has a connection to christianity and Jesus. Jesus is the man that sets the people free, and is also used under the exorcism.

Paradox

N/A

Parallelism

There is a clear parallel line drawn between the first scene in which the priest sees the idol of Pazuzu and Pazuzu in "today's" world.

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