The poem 'The Blue Roofs of Japan' was written in 1986 by Bringhurst, an eminent Canadian poet, author, decipherer, and typographer. The key themes explored by Bringhurst are majorly metaphysical. For instance, the poet avoids personal issues in the text because he concludes that the earth is fascinating than him. Bringhurst intends to categorize his poem into paraphernalia[u1] duo presentation. The author calls his poem ‘A Score for Interpenetrating Voice’ because it is meant to be performed. The poem majorly relies on rhythm, melody, and lyrics to enhance its performance on stage.
The poem's voices keep on imbricating instead of alternating; thus, readers should read the poem with a critical mind to draw meanings and conclusions. Nevertheless, the reader realizes that despite the poem being lop-sided, its voices are equal. The speakers in the poem 'the Blue Roofs in Japan' overlap, making it hard for an average reader to comprehend. Both overlapping voices in the poem are printed side by side to enable speakers to know which line to concentrate on.
The Blue Roofs of Japan : a Score for Interpenetrating Voices Summary
by Robert Bringhurst
The Blue Roofs of Japan : a Score for Interpenetrating Voices Summary
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