Genre
Short Story, Fiction, Horror
Setting and Context
1843, (unnamed place, possibly U.S.), as the narrator is waiting for his execution
Narrator and Point of View
An unnamed narrator in the first person
Tone and Mood
Tone:
diabolic, understated, unconcerned, abhorring, excited
Mood:
gloomy, suspenseful, vengeful, nightmarish, erratic
Protagonist and Antagonist
The narrator is the protagonist as well as the antagonist.
Major Conflict
What does the cat actually mean to the narrator: is there some dark, malevolent, or inhuman aspect to the animal(s), or can the things that happen to the narrator be explained by natural cause and effect?
Climax
When the narrator murders his wife with an ax
Foreshadowing
1. The appearance of the image of the black cat on the narrator's wall foreshadows the animal's haunting of his steps.
2. The fact that a new cat appears when the narrator wants one, the fact that it looks like the old one, and the fact that no one knows where it came from foreshadow the animal's role in bringing down the narrator—and to the cat possibly being of supernatural origin.
Understatement
The narrator calls his abusive and cruel behavior towards his animals and the murder of his wife "a series of mere household events."
Allusions
1. Pluto is the Roman god of death.
2. The narrator's wife references the medieval stereotype of black cats being witches in disguise.
3. There are several allusions to the Devil.
4. A chimera is, in Greek mythology, a fire-breathing monster with a serpent's tail, a goat's body, and a lion's head.
Imagery
See separate Imagery entry of this ClassicNote.
Paradox
N/A.
Parallelism
1. The second black cat looks almost exactly like the first, even missing one eye.
2. The narrator grows weary of both the cats he adopts: the one who hated him before and the one who becomes too friendly.
Metonymy and Synecdoche
In the next, a dozen stout arms were toiling at the wall": the dozen stout arms represent the policemen in an instance of synecdoche.
Personification
1. "The feeble remnant of the good within me succumbed."
2. "My very senses reject their own evidence"