Sylvia Plath: Poems Sylvia Plath

Sylvia Plath’s “The Applicant,” is a 40-line poem first published in The London Magazine in 1963, then later republished posthumously in Plath’s second poetry collection, Ariel, in 1965. Her poem describes an unknown, presumably eligible male who...

Sylvia Plath’s use of “psychic landscapes”, as she describes it, has proven to be quite effective in highlighting key themes in her various poems. It serves as an outlet for expressing intense feelings that are otherwise impossible to convey...

Due to the obligatory nature of motherhood, Plath exposes the co-dependent relationship between mother and child, unveiling the nuances of love, dependency and fear endured by women. Sylvia Plath's poetry collection "Ariel" uncovers the subtle yet...

Any true representation of horror, the sickening realization of the hideous or unbelievably ghastly, seems something of an impossibility. How can one speak the unspeakable? How can unimaginable terror and revulsion ever be recreated? Yet writers...

The primary concern of Sylvia Plath’s poem “Lady Lazarus” is how the female speaker views her relationship with men; the emotions associated with her views of sex are equated to death, and the desire for her to die. This metaphor of death, used...

Sylvia Plath’s “Daddy” is considered by some to be one of the best examples of confessional poetry ever published. In the poem, Plath compares the horrors of Nazism to the horrors of her own life, all of which are centered on the death of her...

In her 1960 poem “Black Rook in Rainy Weather,” American-born Sylvia Plath relays the feeling that a miracle has alighted in the form of a black rook. The bird’s beauty takes her off guard in a preternatural way on an otherwise dreary day, and she...

In her poem, “Daddy,” Sylvia Plath uses violent, unnerving, and controversial imagery to illustrate her tumultuous relationship with her father both before and after his death in 1940. Her work, and this poem in particular, is often distinguished...

In her poem “Daddy”, Sylvia Plath speaks to her deceased father, explaining to him how his death caused her pain throughout her life and why she needs to “Kill” him. Sylvia Plath's father died when she was very young. In her poem she shows that...

1963 was a particularly important year for American Confessional Poetry Movement for one of its chief proponents, Sylvia Plath famously committed suicide by carbon monoxide poisoning, sticking her head inside the oven and leaving behind a...

Considered to be blueprint for the mechanics of tragedy, Aristotle’s Poetics revolves around the assumption that great works of tragedy must include a generous number of mimetic elements, or elements which readily imitate human life. In addition,...

Sylvia Plath’s Reinvented Lazarus

“The speaker is a woman who has the great and terrible gift of being reborn. The only trouble is, she has to die first. She is the Phoenix, the libertarian spirit, what you will. She is also just a good, plain,...

Sylvia Plath’s "Mirror" explores the impact of time on individuals, specifically within the realities of aging and losing beauty; here, Plath speaks from an implied autobiographical perspective. As readers, we know that much of Plath’s oeuvre of...

In his preface to Lyrical Ballads,William Wordsworth describes good poetry as being “the spontaneous overflow of powerful feelings” (6). The style of confessional poetry seems especially fitting to this description; to think that confessional...

This essay will look at both the polarity and unity within the mental suffering of characters and voices from Tennessee William’s A Streetcar Named Desire (‘Streetcar’) and Sylvia Plath’s Collected Poems, focusing specifically on the extent to...

Within the poetry of Hughes and Plath, the theme of human relationships is written of in varying and diverse manners. Plath’s work details relationships, such as the parent-child relationship, using powerful and intricate imagery, while Hughes...

Throughout an examination of Plath’s poetry, a reader will witness prominent themes of inadequacy and mental anguish. The poet’s lack of self-belief is primarily evident in ‘Mirror’, as the poet struggles to overcome her insecurities. Furthermore,...

With the twentieth century now receded, students and scholars will return time and again to contributors of this century’s literary canon. In the realm of poetry, there are several candidates to consider, but one forceful contender for the list of...

I am, I am, I am. Sylvia Plath's heart beat, and she translated it the best way she knew how. To a woman who was self-aware to an uncommon degree, what else could the sound be but a relentless reminder of her own existence? Many have pointed to...

Regardless of what role Sylvia Plath was playing at any given time--student, poet, teacher, wife--her feverish perfectionism was a constant factor. During her tumultuous years at Smith College, her concern over the defects she perceived in her...

Although raised near the ocean and fascinated by the power of nature, Sylvia Plath spent most of her life in the suburbs and the city. In July 1960, however, she and Ted Hughes went camping for a week in Rock Lake, Canada. Not only was she with...

Throughout their poems, authors Sylvia Plath, Emily Dickinson and Charlotte Bronte convey their ideas regarding the despair they have felt throughout their lives, and in particular the concept that ‘thing fall apart’. Through a range of engaging...

"As a species, we are most animated when our days and nights on Earth are touched by the natural world" - Richard Louv

Plath and Hughes seem to have different relationships with nature; in The Long Tunnel Ceiling Hughes, Hughes seems to gain a...

The theme of violence is commonly identified within both Plath's and Hughes’ poetry; however, the way in which it is incorporated by the two very different poets contrasts one another, from the use of techniques, the different tones throughout –...