Spirited Away (2001 Film) Literary Elements

Spirited Away (2001 Film) Literary Elements

Director

Hayao Miyazaki

Leading Actors/Actresses

Rumi Hiiragi, Miyu Irino, and Mari Natsuki

Supporting Actors/Actresses

Takashi Naitô, Yasuko Sawaguchi, Tatsuya Gashûin, and Yumi Tamai

Genre

Animated

Language

Japanese

Awards

Won one Academy Award: Best Animated Feature

Date of Release

20 July 2001 (in Japan)

Producer

Toshio Suzuki

Setting and Context

Japan

Narrator and Point of View

Through the point of view of Chihiro Ogino

Tone and Mood

Scary, solemn, sad, frightening, mysterious, happy, exploratory, strange, spiritual, exploratory, and heartwarming

Protagonist and Antagonist

Chihiro Ogino vs. Yubaaba

Major Conflict

The main conflict of the film arises when Chihiro and her family go into the spirit world and her parents get turned into pigs. In the face of that, she must work to transform her parents back into humans and fight against the evil forces around her -- particularly Yubaaba.

Climax

The climax occurs when Chihiro rushes to get her parents (who are turned into pigs) as the sun sets. Along the way, ghosts and spirits start to appear en masse.

Foreshadowing

Chihiro's parents grunt while they eat, foreshadowing their eventual transformation into pigs.

Chihiro being left to her own devices is foreshadowed early on in the film.

Understatement

The extent to which Chihiro was on her own and left to her own devices is understated throughout the film.

Innovations in Filming or Lighting or Camera Techniques

While incredibly well-animated, Spirited Away is not innovative in filming or lighting or camera techniques.

Allusions

Allusions to other films, popular culture, history, geography, the Bible, mythology, religion (ghosts/spirits), culture (particularly the Japanese culture -- dragons and samurai chiefly), business, companies, and fiction, religious, and non-fiction texts.

Paradox

Chihiro is a little girl with very few resources, yet she manages to overcome all odds and save her parents

Parallelism

No significant instances of parallelism.

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