Shutter Island (Film)

Shutter Island (Film) Literary Elements

Director

Martin Scorsese

Leading Actors/Actresses

Leonardo DiCaprio and Mark Ruffalo

Supporting Actors/Actresses

Ben Kingsley, Max von Sydow, and Michelle Williams

Genre

Psychological thriller

Language

English

Awards

Top Ten FIlms of the Year, National Board of Review

Date of Release

February 19, 2010

Producer

Martin Scorsese, Bradley J. Fischer, Arnold W. Messer, and Mike Medavoy

Setting and Context

Ashecliffe Hospital, near Boston, Shutter Island, 1954

Narrator and Point of View

Edward "Teddy" Daniels / Andrew Laeddis.

Tone and Mood

Dark, Brooding, Mysterious, Horrific

Protagonist and Antagonist

Edward "Teddy" Daniels vs. Dr. John Cawley

Major Conflict

The major conflict is between Teddy and Dr. Cawley as the two struggle to deal with each other and explain the mysterious happenings of Shutter Island.

Climax

The climax of the film occurs in the lighthouse when Teddy learns the truth

Foreshadowing

When Aule struggles with his gun, it foreshadows the fact that he is not in fact a U.S. Marshal.

Understatement

Cawley treats Teddy's headaches as ordinary migraines, even though he knows they are induced from withdrawal from chlorpromazine.

Innovations in Filming or Lighting or Camera Techniques

Shutter Island uses an innovative plot structure, in which the audience only learns the full significance of the early scenes at the end of the film, encouraging attentive re-viewings.

Allusions

There are many historical allusions to World War II, including concentration camps and hydrogen bombs.

Paradox

Teddy only breaks through his delusions and becomes "sane" again once he realizes that he is, in fact, already psychotic.

Parallelism

Teddy imagines a parallel between the dead children he witnessed at Dachau, and the death of his own daughter.

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