Genre
Religious fiction
Setting and Context
The novel takes place in the small village of Durvasapura, located in the Western Ghats of Karnataka
Narrator and Point of View
The novel is written from a third-person perspective. The narrator is omniscient and moves between various perspectives.
Tone and Mood
The tone of the novel is mystical and ruminative. The mood of the novel is dark and tragic.
Protagonist and Antagonist
The protagonist of the novel is Praneshacharya. The antagonist is the larger Brahmin community in Durvasapura.
Major Conflict
The major conflict of the book is Praneshacharya's quest to find authentic spirituality.
Climax
The climax of the novel occurs when Praneshacharya heads back to his village.
Foreshadowing
It is foreshadowed that Praneshacharya will become involved with Chandri when he repeatedly admires her beauty and kindness.
Understatement
N/A
Allusions
The novel makes multiple allusions to Hindu traditions, customs, and history.
Imagery
N/A
Paradox
The paradox at the center of the story is Naranappa's funeral. No one wants to perform the funeral rites because he did not behave like a proper Brahmin, but not performing the rites for him makes the rest of them bad Brahmins.
Parallelism
There is a parallelism between Praneshacharya's relationship with Chandri and Shripati's relationship with Belli, in that they are both between men from a high caste and a woman from a lower one. They are different in that Shripati is driven solely by lust while Praneshacharya has more complex motivations.
Metonymy and Synecdoche
N/A
Personification
The night sky is personified in the second part of the novel, when Praneshacharya looks up and sees a constellation of the goddess Arundhati, who represents faithful wives. He believes it is "twinkling shyly" at him.