“and his speech was almost as inarticulate as a growl.- The Revolt of "Mother"-“The Revolt of "Mother"
Father’s inarticulateness when reacting to mother’s query sanctions that he is not interested in advancing any clarifications on the subject of the men that are plowing their field. Father does not leverage apt communication skills to forestall the escalation of their conflict. The growl is a firewall that thwarts mother and father from yielding to a common ground.
“She looked as immovable to him as one of the rocks in his pastureland, bound to the earth with generations of blackberry vines.”- “The Revolt of "Mother"
Mother flouts her husband’s directive to go to the house. Her fixedness infers that she is resolute to get father’s illuminations about the intents of having the field prepared. Mother is fixed on confronting father, as it seems the preparation of the ground is disconcerting her. Her immovability surmises that she is not content with father’s growl-like rejoinder.
“The old man said not another word. He hurried the horse into the farm wagon, and clattered out of the yard, jouncing as sturdily on his seat as a boy.”- “The Revolt of "Mother"
Father’s robust bouncing signifies his steadfastness to continue with the construction notwithstanding mother’s antagonism. Father regards mother’s presence as an interference to his chores, thus bouncing away is a signal intended to show mother that her input in the forthcoming project is dispensable to father.
“A pretty girl's face, pink and delicate as a flower, was looking out of one of the house windows”-“The Revolt of "Mother"
The ‘girl’ is Nanny Penny. The representation of a flower draws attention to her splendour and feebleness. Her depiction is contrary to that of her brother (Sammy) who is portrayed as a masculine boy. The delicateness infers that he end goal in her life would be to get espoused so that she can count on her husband to fortify her for she is enfeebled.
“She was like an artist so perfect”- “The Revolt of "Mother"
Sarah Penn’s aptitude to consolidate her box-like house is comparable to that of an artist since the house is uncluttered and tidy all the time. Mother is dexterous in the chores because she has done them for forty years. The longevity of her involvement in the chores elevates her Procedural Memory.
“but when ready it was set forth with as much grace as if she had been a veritable guest to her own self.” ( “The New England Nun”)
Louisa recognizes her colossal value. She makes her tea judiciously as if she were preparing it for a special guest. Louisa devotes her love to herself. Regarding herself as guest infers that Louisa has profound self -esteem and she has a fathomless discernment of her Self-Concept.
The Metaphor of a song (“The New England Nun”)
Freeman affirms, “and the old winds of romance whistled as loud and sweet as ever through his ears. All the song which he had been wont to hear in them was Louisa ; he had for a long time a loyal be lief that he heard it still, but finally it seemed to him that although the winds sang always that one song, it had an other name. But for Louisa the wind had never more than murmured ; now it had gone down, and everything was still.” The song is allegorical of the mutual,extinct love. Joe’s love for Louisa is dull for the song that he hears excludes Louisa’s name. Correspondingly, the murmur that Louisa hears, hints at her vanishing fondness for Joe. The stillness implies that Louisa no longer feels affection for Joe even though they are about to walk down the aisle.
