Speaker or Narrator, and Point of View
The poet (Moore)
Form and Meter
Free Verse
Metaphors and Similes
Metaphor:
-Moore uses the metaphor of "place" to suggest the arena of poetry. This is a "place" that should be filled with the genuine: filled with the body, with animals, with the senses, with the everyday, with "literalism of the imagination." It is a "garden" where what is lovely can bloom beside what is ugly and warty.
Simile:
-"the immovable critic twinkling his skin like a horse / that feels a flea"
Alliteration and Assonance
Alliteration:
-"case after case / could be cited"
-"above / insolence and triviality and can present // for inspection, imaginary gardens with real toads in them"
Assonance:
-"feels a flea"
Irony
-Moore's whole tone is ironic, but the first line is especially so, for it is ironic to begin a poem that attempts to describe—and, presumably, embody—the virtues of poetry with the line "I, too, dislike it."
Genre
Poetry
Setting
Moore's own time (early 20th century)
Tone
Ironic, informal, contemptuous, amused
Protagonist and Antagonist
Pro: genuine poets Ant: "half poets" and "autocrats"
Major Conflict
If poetry can find a way to be genuine and use raw material rather than focus on the "fiddle" and "triviality."
Climax
n/a
Foreshadowing
n/a
Understatement
-"I too, dislike it"
Allusions
-"business documents and // school-books": reference to Tolstoy
-"literalists of / the imagination": a comment made by Yeats about Blake (see analysis and other in this study guide)
-"I, too, dislike it": reference to Samuel Butler's conversation with a young boy who said he did not like poetry
Metonymy and Synecdoche
Synecdoche:
-the hands, the eyes, the hair are synecdoches for the whole human being
Personification
-"when dragged into prominence by half poets, / the result is not poetry"
Hyperbole
n/a
Onomatopoeia
n/a