On the Road Jack Kerouac

In Jack Kerouac's novels and poetry he is always searching for something to believe in, be it himself, God, or something else. Surprisingly, he manages to also simultaneously be constantly running away. Fear of responsibility and conformity is...

In the day we sweat it out in the streets of a runaway American dream.

-Bruce Springsteen, "Born to Run"

And I said, "That last thing is what you can't get, Carlo. Nobody can get to that last thing. We keep on living in hopes of catching it once and...

Jack Kerouac's novel On the Road follows Sal Paradise on journeys through America. Sal spends most of his time traveling by foot or car; however, the novel focuses on his time spent in three American cities: New York City, Denver, and San...

Bop jazz divorced itself from its mainstream predecessor when musicians like Charlie Parker, Dizzy Gillespie, and Thelonious Monk began to emphasize fast tempo and improvisation over the predictable music of the swing era. These renegade musicians...

Author Jack Kerouac once said, “My fault, my failure, is not in the passions I have, but in my lack of control of them.” Kerouac believed his fate consisted of much more than bad luck and poor decision making and attributed it to the naturally...

The character of Sal Paradise, in Jack Kerouac’s novel On the Road, is a complex fusion of the fictional and the real. Kerouac created Sal in his own image and used him as a tool to shine light on the state of America in the aftermath of World War...

In Jack Kerouac’s On the Road, the introduction of Dean Moriarty and the paradoxical themes of the Eastern and Western “road” to the character Sal Paradise incur dissension in Sal’s evolution. Sal ultimately chooses to return to the East and its...

Jack Kerouac’s novel On the Road is a hallmark story of the Beat Generation, a movement defined by its rejection of conformity in favor of a search for deeper meaning. It is this search that serves as a catalyst for the majority of the action of...

This essay will focus on the tenorman passage from “On the Road” and the poem “For Sidney Bechet” from “The Whitsun Weddings” to explore how Jack Kerouac and Philip Larkin both use language to allow the reader to experience the music they write...

Neal Cassady is the quintessential beat character who seems almost fictional because of how fantastical he is depicted. Allen Ginsberg and Jack Kerouac illustrate Cassady as if he is an unattainable concept. However, he is just as real as they...

‘What seemed to set the Beats […] apart from their peers was a deep, disturbing alienation that transcended their identities as artists and extended to personal idiosyncrasy and a self-destructive bent. […] To be sure, their project was in large...