Mumbo Jumbo Sources and ClassicNote Author

Weixlmann, Joe, Ishmael Reed, and Clarence Major. "African American Deconstruction of the Novel in the Work of Ishmael Reed and Clarence Major." MELUS 17, no. 4 (1991): 57-79. Accessed February 8, 2021. doi:10.2307/467268.

Samuel, Kameelah Martin. "RETHINKING ISHMAEL REED'S "MUMBO JUMBO": NEO-HOODOO WOMANIST TEXT?" CLA Journal 52, no. 2 (2008): 111-31. Accessed February 8, 2021. http://www.jstor.org/stable/44325462.

Parks, John G. "MINING AND UNDERMINING THE OLD PLOTS: ISHMAEL REED'S "MUMBO JUMBO"." The Centennial Review 39, no. 1 (1995): 163-70. Accessed February 8, 2021. http://www.jstor.org/stable/23739560.

McCoy, Beth. "Paratext, Citation, and Academic Desire in Ishmael Reed's "Mumbo Jumbo"." Contemporary Literature 46, no. 4 (2005): 604-35. Accessed February 8, 2021. http://www.jstor.org/stable/4489138.

Mason, Theodore O. "PERFORMANCE, HISTORY, AND MYTH: THE PROBLEM OF ISHMAEL REED'S "MUMBO-JUMBO"." Modern Fiction Studies 34, no. 1 (1988): 97-109. Accessed February 8, 2021. http://www.jstor.org/stable/26282406.

Hoffman, Donald L. "A Darker Shade of Grail: Questing at the Crossroads in Ishmael Reed's Mumbo Jumbo." Callaloo 17, no. 4 (1994): 1245-256. Accessed February 8, 2021. doi:10.2307/2932193.

Swope, Richard. "Crossing Western Space, or the HooDoo Detective on the Boundary in Ishmael Reed's "Mumbo Jumbo"." African American Review 36, no. 4 (2002): 611-28. Accessed February 8, 2021. doi:10.2307/1512421.

Strombeck, Andrew. "The Conspiracy of Masculinity in Ishmael Reed." African American Review 40, no. 2 (2006): 299-311. Accessed February 8, 2021. http://www.jstor.org/stable/40033717.

Hogue, W. Lawrence. "Postmodernism, Traditional Cultural Forms, and the African American Narrative: Major's "Reflex", Morrison's "Jazz", and Reed's "Mumbo Jumbo"." NOVEL: A Forum on Fiction 35, no. 2/3 (2002): 169-92. Accessed February 8, 2021. doi:10.2307/1346182.

Jessee, Sharon A. "Laughter and Identity in Ishmael Reed's Mumbo Jumbo." MELUS 21, no. 4 (1996): 127-39. Accessed February 8, 2021. doi:10.2307/467645.

Musgrave, Marian E. "ISHMAEL REED'S BLACK OEDIPUS CYCLE." Obsidian (1975-1982) 6, no. 3 (1980): 60-67. Accessed February 8, 2021. http://www.jstor.org/stable/44511913.

Isiah Lavender, III. "Ethnoscapes: Environment and Language in Ishmael Reed's "Mumbo Jumbo", Colson Whitehead's "The Intuitionist", and Samuel R. Delany's "Babel-17"." Science Fiction Studies 34, no. 2 (2007): 187-200. Accessed February 8, 2021. http://www.jstor.org/stable/4241521.

PARAVISINI, LIZABETH. ""MUMBO JUMBO" AND THE USES OF PARODY." Obsidian II 1, no. 1/2 (1986): 113-27. Accessed February 8, 2021. http://www.jstor.org/stable/44486145.

Omry, Keren. "Literary Free Jazz? "Mumbo Jumbo" and "Paradise": Language and Meaning." African American Review 41, no. 1 (2007): 127-41. Accessed February 8, 2021. http://www.jstor.org/stable/40033769.

Lindroth, James. "Images of Subversion: Ishmael Reed and the Hoodoo Trickster." African American Review 30, no. 2 (1996): 185-96. Accessed February 8, 2021. doi:10.2307/3042353.

Jonathan P. Lewis. "Set and Osiris in Ishmael Reed's Neo-HooDoo Aesthetic." Pacific Coast Philology 49, no. 1 (2014): 78-98. Accessed February 8, 2021. doi:10.5325/pacicoasphil.49.1.0078.

Lock, Helen. ""A Man's Story Is His Gris-gris": Ishmael Reed's Neo-HooDoo Aesthetic and the African-American Tradition." South Central Review 10, no. 1 (1993): 67-77. Accessed March 12, 2021. doi:10.2307/3190283.

Dayan, Joan. "Erzulie: A Women's History of Haiti." Research in African Literatures 25, no. 2 (1994): 5-31. Accessed March 14, 2021. http://www.jstor.org/stable/4618262.

Gates, Henry Louis. "The "Blackness of Blackness": A Critique of the Sign and the Signifying Monkey." Critical Inquiry 9, no. 4 (1983): 685-723. Accessed March 16, 2021. http://www.jstor.org/stable/1343378.