Speaker or Narrator, and Point of View
The poems are told from the perspective of a first-person subjective point of view.
Form and Meter
“Night in the Gardens of Port of Spain” has eight stanzas written in an iambic pentameter form.
Metaphors and Similes
In “Night in the Gardens of Port of Spain”, the black person looking at the sky is compared with the night. This comparison is used in this context to show just how hard life could be for a black person and how many slaves had no hope for the future.
Alliteration and Assonance
We find an alliteration in the poem “Sea Grapes” in the lines “that chain-link fence dividing the absent roars/ of the beach from the empty ball park, its holes”
Irony
An ironic idea is presented in the poem “Night in the Gardens of Port of Spain” where the narrator describes the white masters as dependent on the work done by the slaves. Despite not knowing how to take care of themselves, the characters still refuse to see the black population as their equals, an ironic idea considering how the black population was much more skilled and capable of taking care of themselves without any outside help.
Genre
The poem “A Far Cry from Africa” is a political poem.
Setting
The action in the poem “Midsummer” takes place on a beach in an unnamed country in Africa.
Tone
The tone used in the poem “The Sea is History” is a demanding and outraged one.
Protagonist and Antagonist
In most of the analyzed poems the protagonists are the black people and the antagonists are the white people trying to keep the black population under their control.
Major Conflict
The major conflict in the poem “A Far Cry from Africa” is an internal one and is the result of the narrator’s desire to see the state of Kenya independent and his outrage upon hearing the way in which the Kenyan powers killed countless civilians.
Climax
The poem “Night in the Gardens of Port of Spain” reaches its climax when the sun rises.
Foreshadowing
In the beginning of the poem “Midsummer”, the narrator describes a grade fence in the middle of the United States of American. This fence is used to foreshadow the oppression the black population had to suffer at the hands of the white American population.
Understatement
In the beginning of the poem “A Far Cry from Africa”, the narrator alludes the idea that maybe it would be better for the African countries to rule themselves since they will then have the power to decide what is wrong and right for them. The narrator also thinks that in this way, the number of killed Africans will reduce and peace will rule over the African countries. This is however an understatement as the narrator later describes the atrocities performed by the African governments who did everything they could to ensure they maintained their power over the normal people.
Allusions
In “The Sea is History” the narrator alludes the idea that white people used everything they can, including religion, to support their claims that making someone a slave was nothing wrong but, on the contrary, something they were supposed to do and for the greater good of the person enslaved.
Metonymy and Synecdoche
The term “history” in “The Sea is History” is used as a general term to make reference to the pain suffered by the black people who were enslaved.
Personification
We have a personification in the poem “Sea Grapes” in the line “the light warms up the sides”.
Hyperbole
We have a hyperbole in the poem “Midsummer” in the line ““stitching stars in the sand”.
Onomatopoeia
We have onomatopoeia in the line “I heard a distant cry” in the poem “A Far Cry from Africa”.