Grease Literary Elements

Grease Literary Elements

Director

Randal Kleiser

Leading Actors/Actresses

John Travolta and Olivia Newton John

Supporting Actors/Actresses

Stockard Channing and Jeff Conaway

Genre

Musical Romantic Comedy

Language

English

Awards

Grease was nominated for the Academy Award for Best Original Song for "Hopelessly Devoted to You"

Date of Release

June 16th, 1978

Producer

Robert Stigwood and Allan Carr

Setting and Context

1958, the United States

Narrator and Point of View

The film is told through a third-person point of view

Tone and Mood

Fun, Repressive, Musical, Romantic, and Sexual

Protagonist and Antagonist

Danny and Sandy (co-protagonists) vs. Rizzo (antagonist)

Major Conflict

The major conflict of the film involves Sandy and Danny's struggle to keep their romance alive in spite of their radical differences: Sandy is a good girl and Danny is a greaser.

Climax

When Sandy decides to become a greaser so she can get back with Danny

Foreshadowing

The song "Look at Me Iā€™m Sandra Dee" foreshadows Sandy eventually turning into a greaser.

Understatement

The profound affect Danny has on Sandy is understated in the film.

Innovations in Filming or Lighting or Camera Techniques

Grease is no doubt well-made and well-shot, but it was not innovative in filming or lighting or camera techniques.

Allusions

To the following films: Saturday Night Fever (1977), The Sound of Music (1965), West Side Story (1961), Rebel Without a Cause (1955), Bambi (1942), and Mary Poppins (1964).

Paradox

Sandy is a good person and the farthest thing from a greaser, yet she becomes a greaser.

Parallelism

There are no major instances of parallelism in Grease.

Update this section!

You can help us out by revising, improving and updating this section.

Update this section

After you claim a section you’ll have 24 hours to send in a draft. An editor will review the submission and either publish your submission or provide feedback.

Cite this page