The Age of Innocence

New York Society, in Edith Wharton's Age of Innocence (1920), is paradoxically immortal and mortal. Like the Olympic pantheon of mythological Greek antiquity, New York Society cavorts and carouses, bickers and condemns while it feasts on ambrosia...

Agamemnon

Aeschylus' Oresteia is undebatably one of antiquity's greatest surviving tragedies. Driven by the universal struggles of justice versus injustice, fear versus obligation and parent versus child, the play follows one ill-fated family through the...

Agamemnon

Cassandra's final monologue in Aeschylus's Agamemnon plays a transformative role in terms of the movement of the plot and, upon close examination, functions as a key for many of the tragedy's larger themes. She begins by equating prophecy, be it...

Agamemnon

Historically, Greek tragedies have been used as a means to convey particular political and ethical testimonials about society, usually in order to convey certain morals or to ensure order. In such chronicles, a protagonist grapples with a...

The Aeneid

In both Virgil's The Aeneid and books Genesis and Exodus of the Old Testament, dreams, visions, signs, wonders and divinations serve as powerful testaments to the universal knowledge and might of the pagan Roman gods and the Jewish god. Revealing...

Robinson Crusoe

'[Robinson Crusoe is] the true prototype of the British colonist, as Friday (the trusty savage who arrives on an unlucky day) is the symbol of the subject races.' Explore.

Unquestionably Robinson Crusoe is a novel of unbridled popularity; it has...

The Aeneid

An important recurring image throughout Virgil's Aeneid is that of the serpent, which appears both realistically and metaphorically. The serpent icon is a harbinger of death and a symbol of deception. These two elements represented by the snake...

The Aeneid

Mythological accounts constantly transform themselves in crossing cultures and enduring time, but two versions of the story of Dido and Aeneas, one by a shy, serious, government-sponsored poet; the other by an often lighthearted author, a future...

The Aeneid

Duty is a recurring theme throughout Virgils The Aeneid. It plays a crucial role as a key character trait for the individuals that we encounter. If one takes the protagonist Aeneas aside and analyzes his persistent adherence to his own destiny,...

The Aeneid

As a modern reader approaching the epics, one inevitably brings certain expectations and standards formed throughout the course of our experiences; one's literary appetite is accustomed to a certain kind of satisfaction, and one of the most...

The Aeneid

'I sing of arms and of the man, fated to be an exile', begins Virgil, and it is on precisely the issue of this man of arms that critical debate in recent years has tended to centre. Scholars continue to disagree on whether or not Aeneas is...

The Adventures of Tom Sawyer

Even though Tom Sawyer is just a young boy in the chapter "Here a Captive Heart Busted," his actions cross the boundary of child's play and enter into the boundaries of wrongdoing. This comical, yet tedious chapter in Mark Twain's The Adventures...

The Adventures of Tom Sawyer

Tom Sawyer is a boy's boy. He's mischievous, he's adventure seeking, he's fascinated with bugs. Yet while much has been written about these first two personality traits, it is the third one the unexamined territory of Tom's insectuous...

The Adventures of Huckleberry Finn

"But you knowed he was running for his freedom, and you could a paddled ashore and told somebody" (Twain 95). As is epitomized by the preceding quote, in The Adventures of Huckleberry Finn by Mark Twain one of the central conflicts is that of the...

The Adventures of Huckleberry Finn

Written during a time in which racial inequality is the norm, and people of color are looked upon as lesser beings, Mark Twain, in his landmark novel The Adventures of Huckleberry Finn, pens a character in Jim who is the epitome of restrained...

The Adventures of Huckleberry Finn

In "The Adventures of Huckleberry Finn" Mark Twain depicts various characters in the story according to his own moral and social beliefs. He portrays some characters as admirable or virtuous, and others as dislikeable or amoral. These portrayals...

Ariel

Life and death, beginnings and endings. The death of one person: the ending of two lives, or the beginning of both? Sylvia Plath, tumbling through madness toward suicide, created a collection of poems titled Ariel, and used the theme poem to...