Newest Literature Essays

During the Victorian Period, women were "strongly encouraged to adopt attributes of purity, domesticity, and submissiveness" (Bland, Jr. 120). These values and ideals were projected into the writing of many different forms of female-directed...

Virginia Woolf's ambitious work A Room of One's Own tackles many significant issues concerning the history and culture of women's writing, and attempts to document the conditions which women have had to endure in order to write, juxtaposing these...

"When you're down on the lower levels of this pyramid, you will be either on one side or on the other. But when you get up to the top, the points all come together, and there the eye of God opens" (Campbell, 31). Joseph Campbell presents this...

There is much debate in feminist circles over the "best" way to liberate women through writing. Some argue that a female writer should, in an effort to recapture her stolen identity, attack her oppressive influences and embrace her femininity,...

Shakespeare's Romeo and Juliet explains love through the use of three different kinds of love: unrequited love between Romeo and Rosaline, true love between Romeo and Juliet, and cynical love from Mercutio and the Nurse. The use of common, era...

The concept of fate functions as a central theme in Shakespeare's Romeo and Juliet. In the opening prologue of the play, the Chorus informs the audience that Romeo and Juliet are "Star ñ cross'd Lovers" (Prologue l.6). In other words, the Chorus...

The themes of misinterpretation and passivity are threaded throughout Beroul's text "The Romance of Tristan": characters often misread signs and events, as well as each other. There are several key misinterpretations in the story that reveal where...

One of Henry James' outstanding qualities is that, to a greater extent than with most writers, the only way to really understand him is to simply read a great deal more of him. This statement takes one thing largely under its assumptive stride,...

Though Robinson Crusoe may be popularly envisioned as a harrowing "adventure tale" of shipwreck and survival, the "adventures" of emotional and spiritual discourse act perhaps equally strongly to frame and direct the text. Crusoe's early travels,...

Samuel Coleridge is viewed as one of the most important poets of the Romantic period. Part of this distinction hinges on Coleridge's beautiful, nature-themed poetry, but it also rests on his ability to infuse fantastical and haunting elements into...

In a revision of his enduring poem Rime of the Ancient Mariner, Samuel Coleridge added a pointed Latin epigraph, perhaps to clarify what he hoped the poem would convey upon his readers. The added lines ask us to reevaluate our perceptions of man...

"It is reasonable to argue that the German cinema is a development of German Romanticism, and that modern technique (cinematography) merely lends a visible form to Romantic fancies", Lotte Eisner asserts. Both Romanticism (late 18th-19th Century)...

From the very opening of William Shakespeare's tragic historical drama Richard III, the isolation of the main protagonist is made quite clear, for Richard progressively separates himself from the other main characters and gradually breaks the...

And lived with looking on his images;

But now two mirrors of his princely semblance

Are cracked in pieces by malignant death,

And I for comfort have but one false glass

That grieves me when I see my shame in him.

Thus does the Duchess of York lament...

Shakespeare's Richard III and Coriolanus are both characters who possess all the qualities of potentially invincible, fearless, and heroic warriors. They fail to emerge as heroes because neither of them are able to live beyond their idealistic...

In William Shakespeare's Richard III, Richard opens the play by informing the audience that, since he is "not shap'd for sportive tricks " (I.i.16) that are expected in the peacetime following the York's victory, he can only prove a spiteful,...

'Distortum vultum sequitur distortio morum.'

[Distortion of character follows a distorted countenance.] --Thomas More

Shakespeare's Richard III from the so-titled play shares the unsettling characteristic of being expressly "determined to prove a...

Shakespeare's Richard III is a play pervasive in figurative language, one of the most notable being the symbolic image of the sun and the shadow it casts. In an examination of a short passage from the text, it will be argued that Richard is...

Thus I play in one person many people,

And none contented. Sometimes I am king,

Then treasons make me wish myself a beggar,

And so I am.

V:v:31-34, King Richard II

While entangled in the throes of dramatic suspense, the self-reflexive concept of...

When Edmund challenges himself to conjure the worst prophecy he can think of for the forthcoming eclipse, he not only anticipates the plot of King Lear, but also highlights the fears of Tudor political society as

unnaturalness between the child and...

Richard II, like most of Shakespeare's history plays (though, notably, unlike his comedies and tragedies), establishes a theatrical world dominated by men and masculinity. Female characters are few, and those that appear on the stage tend to say...

Shakespeare's genius in character and plot development is exemplified in two of his most complex history plays, Richard II and Henry IV, Part I. With these sequential plays, Shakespeare vividly develops characters and sets up complicated plots by...

How valid is the distinction between history and tragedy in Richard II?

An attempt to sort Shakespeare's plays into neat categories may appear to have its benefits when striving to understand his work, but even a superficial reading of Richard II...

"Hardy summons into us a graphic dimension, and then, apparently without realizing the danger in doing so, he allows another Eustacia to enter his novel. This Eustacia emerges, through a consistent patter of speech and action as a creature unfit...