Maestro

Peter Goldsworthy’s Maestro is essentially a Bildungsroman, in that it follows Paul on his journey from child to adult, and from childishness to maturity. As with all stories of growth and development, Maestro’s focus is often upon Paul’s...

Juno and the Paycock

Sean O’Casey’s drama Juno and the Paycock details the slow, painful degradation of the Boyle family in war-torn Ireland in the early 1920s. Juno remains strong and calm throughout the course of the play, even though she suffers from a drunkard,...

Dutchman and The Slave

An apple pressed precariously to her blushed lips, Lula from Leroi Jones’ existential drama Dutchman is the epitome of temptation. She snakes around the train car, spying Clay and eventually driving him to his outburst late in the second scene....

Dubliners

The thirteenth of fifteen stories in James Joyce's Dubliners collection, "A Mother," can be seen as something of a break between the heavy, serious vignettes in its vicinity. It can be seen as a story to chuckle at; after all, the title character...

The Bible

The doctrine of creation is not an ambiguous aspect of the Bible. The first four chapters of Genesis contain the primary biblical information on creation; therefore, they provide the basis of the biblical doctrine. This seemingly straightforward...

The Plague

The last two paragraphs of The Plague emphasize Camus’ belief that even during a crisis, humans must always fight against death even if that battle will be a constant struggle without victory.

Rieux deems the stubborn and communal fight of man...

Children of Men

Alfonso Cuarón’s 2006 film ‘Children of Men’ is a text that explores the interplay of past, present and future on both personal and societal levels. Many characters in the film are obsessed with reiterating the past in an endless cycle of...

Coleridge's Poems

In the work of the Romantic poets, there is a clear disparity in the representation of male and female homoerotics. While male homosexual poetry is generally characterised by a careful synthesis of personal feeling and an imagined homosocial...

MAUS

In Maus, Art Spiegelman produces what can be seen as a reaction to the Holocaust and its complicated aftermath. It is a graphic representation of the various horrors of the Holocaust and he chooses to make his characters anthropomorphic. One may...

MASH

"In a mad world, only the mad are sane."

Akira Kurosawa

"What this picture is about -- and it keeps getting more clear to me all the time -- is the insanity."

Robert Altman

MASH was not Richard Nixon's favorite war film of 1970. Of the four highest...

King Lear

In Akira Kurosawa's transformation of King Lear into Ran, the flat character of the Lear's Fool has evolved into Hidetora's Kyoami, a character who exhibits a number of personal complexities absent from Shakespeare's Fool. Both characters have a...

Annie Hall

Through intense visuality and the complex connections among various characters, Woody Allen in Annie Hall suggests an inextricable connection between geographical location and identity in terms of class, religion, politics, and interpersonal...