‘Oh London…. Thou hast all things in thee to make thee fairest, and all things in thee to make thee foulest: for thou art attir’de like a Bride, drawing all that looke upon thee, to be in love with thee but there is much harlot in thine eyes.’...

“By its nature, the metropolis provides what otherwise could only be given to traveling: namely, the strange” – Jane Jacobs.

In both The Roaring Girl and The Witch of Edmonton the figure of ‘the other’ emerges through the female characters...

Because of the belief in early modern England that women were more susceptible to sin than men,[1] any literary depiction of a witch – the epitome of a woman who has fallen to sin – is a manifestation of, and an example of pandering towards, this...

“By its nature, the metropolis provides what otherwise could only be given to traveling: namely, the strange” – Jane Jacobs.

In both The Roaring Girl and The Witch of Edmonton the figure of ‘the other’ emerges through the female characters...