In Chronicle of a Death Foretold, Gabriel Marquez uses diction to show how traditions have gradually lost their meaning in Colombian society, leading the readers to question their own motives for following customs. Wrong motives could often hurt...

After having been awakened from a gentle slumber in a brothel expecting to meet the bishop later that day, Santiago Nasar is met with his untimely demise; His death being the product of a pre-existing indifference ingrained within their Caribbean...

In Garcia Marquez’s novella Chronicle of a Death Foretold, the different roles of men and women in this 1950’s Latin American society are prominently displayed by various characters. The named perpetrator of a young bride is murdered to save the...

Gabriel Garcia Marquez’s Chronicle of a Death Foretold and William Faulkner’s "Dry September" are very similar to each other structurally and thematically, despite being separated by fifty years and a regional and linguistic barrier. They both use...

Countless acclaimed novels attain prestige through their esteemed authors’ tendency to critique their culture and time period; among these belongs Chronicle of a Death Foretold by Garcia Marquez. Garcia Marquez critiques the Colombian culture...

The definition of a ‘crónica’ is a factual account of important or historical events in the order of their occurrence. García Márquez’s novel, far from being chronological, involves the chronic repetition and re-enacting of events over and over,...

In Anton Chekhov’s The Cherry Orchard and Gabriel García Márquez’s Chronicle of a Death Foretold, both protagonists face difficult, if not deadly, circumstances. Liubóv Andréyevna Ranyévskaya, a self-indulgent member of the declining Russian...

In his novel Chronicle of a Death Foretold, Gabriel Garcia Marquez has the impressive skill of characterizing and foreshadowing Santiago Nasar’s character and eventual death. Santiago Nasar’s murder by Pedro and Pablo Vicario was caused by an...

There are a copious of characters that play some vital role in Chronicle of a Death Foretold – minor or major – that individually pose as an example or symbol for a theme or idea. Consider the bishop, who only appears momentarily in the beginning...

If the world were a desert, art would be its oasis. Within the realm of art and literature is the craft of symbolism, by which artists invest their characters or other such depictions with deeper meanings. What is most likely the most common...

Setting and character portrayal play monumental roles in conveying themes as well as the author’s purpose in literature. In The Assault and Chronicle of Death Foretold, Mulisch and Marquez use these techniques to illustrate the dynamic within...

In Chronicle of a Death Foretold, Gabriel García Márquez creates a set of characters who each represent a certain aspect of close-minded human nature as a whole. It is this style of character development that allows the reader to understand that,...

Gabriel Garcia Marquez's "The Incredible and Sad Tale of Erendira" is a frustrating story. It is full of beautiful images, fascinating characters, and puzzling events. The frustration lies in trying to figure out why the characters behave they way...

In Love in the Time of Cholera, Marquez reconstructs the relationship of Colombia’s localized, politicized and historicized past. Thus, the novel engages in a dialogue with history. This essay will explore Colombia’s history by analysing Dr....

An imminent era of lovesickness persuades the course of Fermina Daza and Florentino Ariza's love affair; it is this pending ailment - as Gabriel Garcia Marquez' title Love in the Time of Cholera suggests - that fuels the lovers' final movement...

In Marquez’s Love in the Time of the Cholera, the relationships of the three main characters are predicated upon the different fundamental emotional needs they have. For example, Florentino needs love from Fermina, while Fermina needs not love but...

“Forever” (Marquez, 1988: 352). Thanks to this simple word -- Florentino Ariza’s answer to the Riverboat captain’s question when asked how long he intends to keep the boat going -- it is not hard to understand why many critics would label Love in...

The idea of equality of the sexes in Latin America is a relatively new phenomena. Until the late nineteenth century and early twentieth century, the time period of Love in the Time of Cholera, women were predominantly treated as the inferior sex....

Gabriel Garcia Marquez, a modern Colombian author, explores both the natural and the supernatural in his short story, "A Very Old Man with Enormous Wings." Although the plot revolves around the character of a winged man who has fallen to earth,...

In Franz Kafka's "A Hunger Artist" and in Gabriel Garcia Marquez's " A Very Old Man with Enormous Wings," an understanding of the cruelty of mankind is revealed through an examination of the themes and the characters in both of their stories....

A Crab, a Spider, and the Noisy Stars Above: An Analysis of the Magical Absurdity in Marquez’s “A Very Old Man with Enormous Wings”

A multitude of literary devices can ultimately sway the interpretation of a literary work in one direction or...

Simply by existing as a product of the human genome and becoming integrated into society, one unavoidably becomes aware of the fact that there is a wide range of good and bad that men and women are capable of. Gabriel Garcia Marquez’s “A Very Old...

Angels are one of the most primordial archetypes of the supernatural realm, identical to humans in almost every except for having wings, thus setting up an unavoidable moment of recognition: when an angel appears in this world, ye shall know him...

“...the exasperated and unhinged Elisenda shouted that it was awful living in that hell full of angels,” is a line that occurs toward the ending of “A Very Old Man with Enormous Wings” by Gabriel Garcia Màrquez. It accurately depicts how humans...