Italy
During a conversation between Amorphus and Asotus, the two end up discussing Italy and Italians. When the play was written, many European aristocratic families sent their children on learning trips, often to Italy, as it was considered a cultural epicenter in the aftermath of the Italian Renaissance. While many had a good impression about Italy, there were some, like the two characters for example, who did not understand why so many were excited when it came to Italy. Thus, the country in question is portrayed in a rather bleak manner, described as having nothing special about it and what is worse, as being home to people who cannot be trusted. This portrayal of Italy reveals the ignorance of Amorphus and Asotus, who cannot recognize the cultural value that Italy has to offer by way of art, literature, and politics.
Decorum
When Amorphus meets with Asotus and Crites, Amorphus insists that Asotus introduce him to a person he wants to become friends with. While it becomes clear that Asotus does not like Amorphus and does not wish to introduce him, he agrees. The lengthy introduction scene underscores the sense of decorum by which the courtiers feel they must abide. Such pleasantries are presented ironically in the play as evidence of disingenuous behavior. Indeed, in Jonson's more raucous comedies, characters often speak their minds about other characters they dislike.
Ladies' Judgment
When the ladies of the court gather to discuss the gallants, they describe the men according to their builds and what they wear. This imagery based on apparel and appearance is significant because it showcases the shallow approach that most of those in the play have toward others. The play suggests over and over again that gallantry is something that can be performed rather than a reflection of one's true moral value.
The Gods Are Watching
At the end of the play, Cynthia delivers a lengthy speech about the power of the gods. She informs the courtiers that they are always being watched and judged by the gods, and though it is never their desire to punish, the gods can still exact consequences on mortals even when men think they are safe. Because Cynthia is an allegory for Queen Elizabeth I, this speech also suggests that Elizabeth can closely monitor the activities of her court, uncovering secrets and serving punishments of her own.
